Best Book of the Week!
From the very beginning of Big Little Lies, we’re aware that someone has been killed, but we don’t know who, or why, or by whom. Liane Moriarty’s novel artfully builds suspense as it draws you in to care about certain of the characters.
The action of the novel is centered around Pirriweee Public School, and it begins six months before school trivia night, when the death occurs.
Madeline Mackenzie is taking her five-year-old daughter Chloe to kindergarten orientation when she has a small accident. Jane, the younger single mother of Ziggy, helps her, and Madeline and her friend Celeste befriend her. Jane is moving to the area in a few months when Ziggy will be in kindergarten with Chloe and Celeste’s twin sons Max and Josh.
During the orientation, the kindergarten teacher notices that someone has been choking Amabella, so she brings this up in front of all the children and parents, asking Amabella to say who hurt her. Amabella doesn’t want to say but ultimately seems to indicate Ziggy. Ziggy states clearly that he didn’t hurt Amabella, so Jane believes him.
However, Renata, Amabella’s high-powered corporate mother, starts a campaign with some of the other mothers to ostracize Ziggy. This begins with not inviting him to Amabella’s birthday party. All of this behavior escalates, and for a while I thought it might be taking on a comic edge, like the school-based nonsense caused by helicopter parents in Where’d You Go, Bernadette? But underlying it all is the knowledge that someone will end up dead.
And the characters have their secrets. Madeline, whose husband Nathan deserted her with a newborn baby 14 years earlier, is upset because he and his new wife Bonnie seem to be winning her older daughter away from her. And Jane’s and Celeste’s even darker secrets come out later.
This novel is striking in its ingenuity and in how much Moriarty brings you to care for its characters. I was deeply involved from beginning to end. The conclusion was eminently satisfying. I’ll be looking for more books by Moriarty.





A famous painter living in Casablanca tells the story of his marriage in a “secret manuscript” as he recovers from a debilitating stroke. From all accounts, he has married a woman who is almost a lunatic. He tells how his family objected to his marrying beneath his social status but he was in love. Now that he has married this much younger woman, his relatives’ fears have been realized. She has poor taste, she is vulgar, irrationally jealous. She has fits of rage where she disturbs his work and even destroys it. She is constantly asking for money and giving it away to her relatives. She drinks too much and hangs out with unpleasant characters.
The wife’s rights are changing under Moroccan law, but even though the book blurb mentions this, it does not seem important to the story except that she can prevent their divorce. In effect, the husband is reduced to blackening her name with everyone and depicting her as unstable.


