Tag: contemporary fiction

Day 879: A Spool of Blue Thread

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Cover for A Spool of Blue ThreadBest Book of the Week!
I haven’t read much Anne Tyler lately, but having just finished A Spool of Blue Thread, I think I should read more. This is one of those novels that seems to have more layers, the more you think about it.

Red and Abby Whitshank live in a lovely house in a Baltimore suburb that Red’s father Junior built for a client years ago. The house was Junior’s pride and joy, and he was constantly adding to it and refining it. Red, also a builder, has kept it in tip-tip condition. But now Red and Abby are in their 70’s. Red has recently had a heart attack, and the family gathers to decide what to do after Abby begins having gaps in her memory.

The family can sometimes be contentious, and their most troublesome member is Denny. Abby has always had a habit of inviting in strays, what her family calls her “orphans,” in an attempt to re-create the welcoming atmosphere in the house when she visited as a girl. The children have always resented these extra presences. But when Denny was four, Abby took this habit to extremes by insisting on taking in the orphaned son of one of Red’s workmen, a two-year-old boy named Stem. Denny is clearly jealous of Stem, and so is moody and unpredictable. He travels around from job to job and doesn’t tell the family about his life. He is undependable, leaving at the drop of a hat, and then can’t understand why no one asks for his help.

By the time Denny arrives, expecting to move in to help Red and Abby, Stem and his family have already rented out their house and moved in. Although there is some comic tension about who is helping whom, the family is all together again with the girls visiting frequently, and they enjoy telling their family stories.

After a tragic event, the novel moves back in time to the day when young Abby fell in love with Red. This has always been one of Abby’s favorite stories, but now we see a different side to it and to her.

Then the novel moves back farther in time to examine the relationship of Junior and his wife Linnie. At first, we’re shocked by some of its revelations, but we learn that human relationships are deep and complex.

This is a lovely novel about family stories and secrets, about how different people’s realities differ, about love and forgiveness.

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Day 877: Literary Wives! The Happy Marriage

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in modern fiction. If you have read the book, please participate by leaving comments on any of our blogs. Be sure to read the reviews and comments of the other wives!

Ariel of One Little Library
Emily of The Bookshelf of Emily J.
Lynn of Smoke and Mirrors
Naomi of Consumed By Ink

My Review

Cover for The Happy MarriageA famous painter living in Casablanca tells the story of his marriage in a “secret manuscript” as he recovers from a debilitating stroke. From all accounts, he has married a woman who is almost a lunatic. He tells how his family objected to his marrying beneath his social status but he was in love. Now that he has married this much younger woman, his relatives’ fears have been realized. She has poor taste, she is vulgar, irrationally jealous. She has fits of rage where she disturbs his work and even destroys it. She is constantly asking for money and giving it away to her relatives. She drinks too much and hangs out with unpleasant characters.

In the artist’s story, he is mild-mannered and generous, just trying to figure out a way to handle her irrational outbursts. Finally, he begins trying to get a divorce.

Amina, the artist’s wife, discovers his manuscript and we hear her version of the story—which is completely different. Amina’s story is about insults to her family, consistent unfaithfulness, miserliness and lies.

This novel reminds me very much of Fates and Furies, which has the same structure and intent. However, Fates and Furies seems both more unlikely and more nuanced. The Happy Marriage deals in problems that can trouble marriage—infidelity, money issues, dislike of a spouse’s friends, real and imagined insults—but we see nothing of the more subtle aspects of human relations.

What does this book say about wives or about the experience of being a wife?

Although I think we’re ultimately supposed to sympathize with Amina, the two characters in this novel are so angry with each other that their whole relationship seems clichéd to me. I’m not sure what this book ultimately says about wives. Its main point seems to be a larger one about how people self-justify their own bad behavior and see things from their own point of view. Both of the narrators, but certainly the husband, are untrustworthy.

Still, it seems that the husband married to have a wife that he thought he could control. He picked a much younger woman who was in love with him and would be dependent upon him financially. Many of his other choices seem to be made from vanity about his position.

Literary Wives logoThe wife’s rights are changing under Moroccan law, but even though the book blurb mentions this, it does not seem important to the story except that she can prevent their divorce. In effect, the husband is reduced to blackening her name with everyone and depicting her as unstable.

But Amina seemed to be happy in their relationship as long as she could travel with him and thought he was being faithful. That is, she seemed content with being treated as a trophy wife until she had to stay home with the kids (and of course, this coincided with the infidelity, it seems). So, I’m not sure that her idea of marriage is any more strongly developed than his. In this particular marriage, everything seems to boil down to a struggle for control.

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Day 866: Yuki Chan in Brontë Country

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Cover for Yuki Chan in Bronte CountryYuki Chan is on a pilgrimage of sorts. Her mother died ten years ago when Yuki was 13, and just before that she made a trip to England. Yuki is trying to visit the places her mother visited, to feel closer to her and to try to figure out why she died. This pilgrimage has brought her to Haworth and a tour of the Brontë’s house.

Yuki thinks of herself as a psychic detective, but we also follow some of her other musings, most of them very peculiar. She is clearly an eccentric personality.

I wasn’t sure how much I related to Yuki as she performed her various experiments, for example, standing in the same place before the Haworth parsonage window where her mother appears in a photo. She has five photos that she uses to retrace her mother’s footsteps.

link to NetgalleyDuring her adventures, she befriends a teenage girl named Denny. Denny has a bit of a lawless demeanor that gets them into some adventures as she takes Yuki around the snowy landscape on her brother’s motorcycle.

Ultimately, this novel is touching, but it takes a while before we understand Yuki’s compulsions. I don’t think we get any insight to any of the characters except Yuki herself. I only moderately enjoyed this quirky novel.

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Day 858: Fates and Furies

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Cover for Fates and FuriesFates and Furies is about a marriage. Lotto and Mathilde marry shortly before graduating from college, after knowing each other only two weeks. They are both very tall and blonde, considered by many to be a golden couple. Lotto is charismatic and loud, always the center of attention, with many faithful friends. Mathilde is quiet and aloof.

Although Lotto has had a bit of a Southern Gothic upbringing, he is the son of wealth and privilege. However, his mother cuts him off when she hears of his marriage. Mathilde appears to have no family or money. So, the couple’s first years are tough, as Lotto tries to make it as an actor in New York while Mathilde supports them. But one night Lotto stays up drunk and writes a play. When Mathilde reads it, she knows he has found his vocation.

The first half of the novel is from Lotto’s point of view. Success seems to come easily to him after he writes his first play. Even though he is prone to depression if things don’t go well, he has hit after hit. Mathilde quits her job to take care of the business side, and he becomes a little self-satisfied. Still, all in all they are remarkably happy. He considers his wife a saint.

It is not until the second half of the novel, when we see the marriage and past from Mathilde’s point of view, that we learn a different truth about their lives. Mathilde, who has been alone for much of her life, is fiercely loyal to Lotto. But she is no saint.

Lauren Groff seems to write completely different novels each time out. This one shows the complexities of human relationships. That this relationship is almost operatic in scope gives the novel a slightly gothic trend.

I have mixed feelings about this novel. I think we are supposed to like Lotto more than I did, but I distrust charismatic people. I think Lotto may be a little stereotypical, however, while Mathilde is mostly a cypher until her half of the book, when many secrets come out. It is not until we learn Mathilde’s side of things that the novel really begins to unfold. It is certainly an interesting novel and one that could provoke discussion.

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Day 855: Submergence

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Cover for SubmergenceSubmergence is at once an intellectual novel and a gritty novel. It is about two characters who are submerged in different ways.

James More, an English spy, has been captured by jihadists in Somalia and is being held captive. Danny Flinders is a mathematician studying the patterns and diversity of life in the abyss. She is on a scientific expedition to study volcanic vents at the bottom of the Atlantic off the coast of Greenland.

The two are linked by a romantic encounter at the Atlantic Hotel on the coast of France. During the period of a few days, they fell in love.

In the filth of his captivity, James distracts himself by musing about some of the ideas he’s learned from Danny about the multiplicity of life, about what he knows of Islam, about his ancestor who was once swallowed by a whale, and other thoughts. The text is challenging—full of facts and floating with ideas. Both characters are in danger, but their ideas seem more important than the conditions they find themselves in.

Here was a situation where reading the Kindle version really took me by surprise. I wasn’t paying attention to where I was in the book and suddenly I was at the end.

This novel keeps you at a certain distance from its characters. Still, you want to know what happens and to consider the characters’ ideas.

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Day 853: The Little Friend

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Cover for The Little FriendI didn’t decide to read The Little Friend until recently. That was because I was one of the few people who didn’t like Donna Tartt’s first book, The Secret History. I thought The Goldfinch was wonderful, however, so I decided to give The Little Friend a try.

This novel shows influences from practically every modern southern novel I’ve ever read, a bit of the Comptons from Faulkner, a touch of To Kill a Mockingbird, and lashings of Southern Gothic. The novel’s world is a harsh one, although not as twisted as that of Flannery O’Connor.

The main character is 12-year-old Harriet Dufresnes, a bookworm and misfit in 1970’s Alexandria, Mississippi. She is from a once-wealthy family whose rotting mansion, no longer in the family’s possession, is out in the countryside. Harriet lives in town with her mother Charlotte and sister Allison. But whatever future they might have had was prematurely blighted by the death of Harriet’s brother Robin, at the age of nine, 12 years earlier. Robin was found hanging from the tree at the edge of the yard, and his murder has never been solved. Their household has been made miserable by the ceaseless mourning and lassitude of Harriet’s mother.

Harriet is facing a long, lonely summer when she decides to avenge the death of her brother. She understands from the family’s maid Ida that Robin and Danny Ratliff were bitter enemies, so she decides that Danny, who is now a small-time criminal and meth addict, must be the murderer. She begins stalking him with the help of her best friend, Hely.

The Ratliff family embodies almost cartoonish O’Connor Southern Gothic. Farish, the oldest brother, is a half-crazed and hyperactive meth cooker and dealer. Although he talks about fighting in the Vietnam War, he spent it in a mental institution and is said to have calmed down since he had a head injury. Eugene is a street corner preacher who is inept at preaching. Curtis is a sweet-natured boy of limited mental capacity, and Gam, the boys’ grandmother, relentlessly favors Farish and does her best to undermine the other brothers’ efforts to leave their lives of crime.

Danny is rather a more tragic figure than anything else, but I was more interested in Harriet’s life than in her interactions with the Ratliffs. That situation provides the tension and danger of the plot, but I was sometimes bored by it and other times found it grotesquely funny.

Harriet’s family is the essence of dysfunction. Her mother is almost completely self-obsessed, spending all her time mourning Robin. She neglects her two daughters and stays in her bedroom. Harriet is dependent on Ida for any attention or care in a house that is only held from chaos by Ida’s efforts. Allison, although 16, is timid and milky and almost doesn’t exist as a character.

The other influences on Harriet are her grandmother Edie and her great-aunts. They are really the only points of stability in her life, especially her great-aunt Libby.

By and large, I was impressed by the energetic writing and the imagination of The Little Friend. The parts I don’t admire as much are the forays into an almost clichéd Southern Gothic of the Ratliff brothers. Still, I found it hard to put down this novel.

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Day 852: The Lake House

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Cover for The Lake HouseThe Lake House is another of Kate Morton’s enthralling novels about family secrets. It is set in two time periods, 1933 and 2003.

In 1933 Cornwall, Alice Edevane is 16. She loves her life in the woods and gardens of the family estate, Loeanneth, and she spends her time writing stories of romance and mystery. She reads her stories to Ben Munro, an itinerant gardener whom she loves. Her newest one is about a kidnapping, set in her own home.

In 2003, Sadie Sparrow is a police officer on an enforced holiday. She got over-involved in a case, in her partner’s opinion, and went to the media when she thought it was mishandled. Her partner is trying to keep her name out of the subsequent investigation, but he wants her on vacation for a month.

Sadie chooses to visit her grandfather Bertie in Cornwall, where he recently moved after her grandmother’s death. In traipsing around the woods with the dogs, she comes upon the abandoned house at Loeanneth. When she tries to find out about the house, she learns that it was deserted after the disappearance of a little boy, Theo Edevane, who was never found.

Sadie decides she would like to look into the cold case with the help of retired officer Clive Robinson. She tracks down Alice Edevane, now a famous novelist, and writes asking for permission to enter the house. But she hears nothing back.

Alice has always believed she knew what happened to Theo and thinks it is her fault. She has no desire to reopen the investigation, however unofficial. But a frank conversation with her sister Deborah reveals something she didn’t know, which leads her to re-evaluate her belief in what happened long ago. When the persistent Sadie writes again, she agrees to see her.

The story alternates between the investigation in the present and the events leading up to Theo’s disappearance. We see the past events from the points of view of several different characters but mostly from that of Eleanor, Alice’s mother.

I absolutely loved this novel, with one caveat. It is intricately plotted and beautifully written, as are Morton’s other novels. I also found it completely absorbing.

However, the coincidence of what happened to Theo I found a bit much. I can’t explain more, but read it yourself and tell me what you think.

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Day 849: Our Souls at Night

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Cover for Our Souls at NightBest Book of the Week!
Since this is my post before Valentine’s Day, I’m trying to observe the day with a book about love. Kent Haruf, who passed away in 2014, was a great stylist. His prose is unbelievably spare, his tales about ordinary small-town people in eastern Colorado. When it was my turn to make a book club selection for the anniversary of his death, I picked Our Souls at Night, his last book.

Louis Waters is a lonely widower in Holt, the town where most of Haruf’s books are set. One day his neighbor Addie Moore stops by with a proposal. She would like Louis to come over and sleep with her at night, sleep and talk. She misses this intimacy since her husband died. He decides to agree.

Although Louis and Addie are not having a romantic relationship, at least not at first, that’s what the town thinks. Instead, they are simply lying together and talking over their lives. We learn, for example, that once Louis fell in love with another woman and briefly left his wife for her. Everyone in the town knows this, but Louis explains to Addie how he felt and why he returned to his wife.

Addie’s son Gene is having marital problems, so he asks Addie to take his young son Jamie for the summer. Soon Jamie grows to care for Louis, who adopts a dog for the boy to play with.

This is a quiet novel about loneliness, friendship, and love. Haruf said it has its roots in the conversations he had at night with his wife. Our Souls at Night is a lovely novel.

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Day 845: The Brief Wondrous Life of Oscar Wao

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Cover for The Brief Wondrous Life of Oscar WaoEven after thinking about the novel for some time, I can’t decide whether I liked The Brief Wondrous Life of Oscar Wao. On the one hand, there’s the energy with which it is written and its inventiveness, wedging a portion of the narrative into footnotes that convey some of the most interesting information (a technique used also in The Sunken Cathedral and by such writers as David Foster Wallace). On the other hand, there’s the unrelenting sexism and objectification of women expressed by the principal narrator as well as by other characters. Okay, that’s an important part of the character’s personality rather than an attitude of the author, but I found it disturbing.

Oscar is a misfit. He is a fat, nerdy boy from the Dominican Republic, highly intelligent and well read but unable to interact normally with people, especially girls. He is interested in Star Trek and Tolkien, but even his other geeky friends eventually get girlfriends while he remains alone and still preoccupied with his obsessions. He dreams of being a science fiction writer.

In college at Rutgers he has one reluctant friend. Because Yunior (Díaz’s persona for much of his fiction) is in love with Oscar’s sister Lola, he agrees to be Oscar’s roommate. He tries to get Oscar to exercise and invites him out with friends. But his efforts aren’t sincere, or perhaps it’s more accurate to say that his intentions are mixed, so he eventually gives up on trying to make Oscar more normal.

Of course, Yunior’s perceptions are all colored by his own preoccupation, sex. Although he loves Lola, they break up several times because of his unfaithfulness. Yunior sees Oscar as a young man wanting to get laid. Well, of course he does, but what he really wants is love.

Oscar has grown up with the romance of his sci-fi and fantasy epics. Yes, they are also full of action, but they are in a sense the continuation of the chivalric romances that obsessed another famous character, Don Quixote, and that’s the book this novel reminds me of. Of course, we know from the title that Oscar will die, and we can guess he will die for love. Also like Don Quixote, although the story is ultimately tragic, its tone is comic.

What I found most interesting in this novel was the story of Oscar’s family, for this is an inter-generational saga about the fortunes of his family in the Dominican Republic. In a combination of narrative and footnotes, the novel tells the recent history of the Dominican Republic and especially of the Trujillo regime, where Oscar’s family ran aground.

This time period was also the focus of another book I’ve reviewed, In the Time of Butterflies, which this novel references, along with a lot of other pop culture. I complained of that book that it assumed its readers already understood all about the Trujillo dictatorship. The Brief Wondrous Life of Oscar Wao does a much better job of explaining Dominican history and exposing us to its culture.

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Day 840: Juggling

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Cover for JugglingI am usually a huge fan of Barbara Trapido, but I have to admit to being slightly disappointed by Juggling. I think my problem is in the depiction of its characters.

Christina is the youngest of two sisters. Her parents, Alice and Joe, decided to get married after Alice’s best friend died and Alice decided to adopt her baby, Pam. They all moved to the U.S. from England, and Christina came along seven months later.

Christina is a pushy, lippy, verbally active child, and from early on she doesn’t get along with her father. She finds him too controlling and manipulative, even though he seems to encourage her sauciness.

When Alice met Joe, she was dating Roland. Later, Roland met and married Gentille, Peter’s French mother. Although Peter gets along with Roland, the move from his quiet Paris apartment to England and boarding school is hard on Peter until he comes under the protection of Jago.

Jago is a popular boy in school, but like many popular boys, he tends to be a bully and hangs with a thuggish crowd. Still, he is good friends with Peter until adolescence, when Peter’s lack of coolness becomes too obvious.

Fatefully, Christina and her gentle sister Pam enroll at the same school as Jago and Peter. Christina is fascinated by Jago, but she and her sister are too clean cut in their American fashions for him to be bothered. Still, Jago finds himself drawn to Pam. Pam is oblivious and begins a friendship with Peter based on a mutual love of music. Then a terrible event occurs that changes everything.

This Trapido novel is all over the place, with a boy who floats in the air, another boy who is a mean bully, a Cambridge don who cheats his student by stealing her paper, reshuffling of partners into too many combinations, a woman who purposefully tries to cause problems between a woman and her daughter. And we’re supposed to like all the characters, I think.

I usually like Trapido characters despite their flaws, but in this case I didn’t. I found it hard to like Christina, who takes everything so personally that she splits from her family about something that happened to someone else, even splitting from that person, who was not at fault. I didn’t buy her antipathy to her father. In fact, if anyone is manipulative, it is she. The more likable characters, such as Peter and Pam and Alice, are neglected for the loudmouths and bullies. About the only one of the more forceful characters I liked was Dulcie, who is loud and exuberant, not a bully.

Trapido seems to have made a thing about people pairing up with the wrong partners. In this case, there are just too many of them and too many coincidences. Hence the title of the book, I suppose.

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