Tag: contemporary fiction

Review 2264: Tom Lake

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On the farm in Northern Michigan that has been in her husband’s family for generations, Lara has been coaxed by her three grown daughters to tell them about her relationship with Peter Duke, a now famous movie star. There has been a triggering event for these stories, but we don’t learn about it for a long time. In any case, these stories take place between sessions of cherry picking and other hard work.

Lara becomes an actress without planning to. When she is in high school helping with auditions for Our Town, the girls trying out for Emily are so bad that she tries out herself and gets the part. Later in college, she takes the part again, and it happens that Ripley, a movie producer, has been persuaded to attend to see his niece. Instead, he decides that Lara is perfect for an upcoming role.

Lara makes a movie, but there is a long delay before it comes out, so she ends up taking the part of Emily again at a summer stock theater in Michigan called Tom Lake. At Tom Lake, she is swept into an affair with Peter Duke, a young, charismatic actor, on her first day. The summer starts out magical, but Lara has a lot to learn about acting, herself, and Duke.

The present-time novel is set during the pandemic, but even though the story has some heart-wrenching parts, its overall atmosphere is so cozy, so happy in its setting, that it feels like the family has its own little nest. You want to go and live with this fictional family. I was born and grew up in Michigan, and although I never lived on a cherry farm, this book made me nostalgic.

Patchett is also a terrific storyteller. This novel is paced brilliantly. The sections where she tells her story seem just about right in length while the rest portrays a warm family life and hard work on the farm. I loved this book.

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Review 2248: Road Ends

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Mary Lawson’s subject is always dysfunctional families in distress living in the far north of Ontario. That sounds deadly, but her novels are absorbing and touching, and Road Ends is no exception.

The novel is told from three different perspectives at slightly different times. Megan Cartwright begins it in 1966, although there is a prologue set in 1967. In the prologue, the best friend of her brother Tom commits suicide where Tom will find him. This doesn’t at first seem to have much to do with Megan’s earlier section but informs Tom’s behavior throughout.

The Cartwrights is a large household of boys with only Megan and her mother the females. Megan’s mother Emily keeps having babies, and Megan is the only one keeping the household organized. Emily retreats to the bedroom with the baby, and Edward, her father, to his study after work. In 1967, baby Adam is a toddler, and Mary has overheard the doctor telling her parents he must be the last child, so she feels free to leave, having realized she will never have a life if she stays. She makes plans to go to Toronto in order to save money to go to London and stay with a friend, but when her father learns her plans, he pays for her to go to London.

Edward has withdrawn himself from the family. One reason is that he is terrified of becoming like his father, a drunkard who used to beat him. He has felt an overpowering anger at times, especially against his sons Peter and Corey, who are always fighting and breaking things. His section of the novel is set in 1969 in roughly the same timeframe as Tom’s, but because of his withdrawal, he hasn’t noticed the household descending into chaos.

For Tom, his friend’s suicide has sent him into a tailspin. He thinks he could have saved him if he had paid more attention. Tom was graduated from college and had job offers in engineering from two aircraft companies, but six months later, he is driving the snow plow at night and spending the day reading the newspaper. He can’t stand to be around people. But he starts noticing that Adam, now four, isn’t being cared for. His mother has had another baby and seems to only care for it. The house is filthy, the child is filthy, and there is no food in the house.

Mary, after a very rough start, has found her dream job in London running a small hotel. She was furious to hear her mother was pregnant again, and she is still homesick but determined not to go back.

I was extremely touched by the ending of this novel. Another really good book from Lawson. I can’t seem to go wrong with her.

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Review 2245: LOTE

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This is a very unusual book, and von Reinhold has created an unusual protagonist in Mathilda.

Mathilda worships beauty, a particular baroque, florid kind of beauty. Black, gay, and from a poor background, she is trying to work her way into higher echelons of society to live an opulent life. She periodically becomes obsessed with different figures from the 20s and 30s, Black artists in the periphery of the Bloomsbury Circle, and doesn’t so much research them as immerse herself in them. She calls them her Transfixions. The latest is a Black poet named Hermia Druitt.

Because Mathilda does not always earn her money honestly, she has to sometimes change her identity. She’s been staying in a vacant flat of a friend who is away when her host returns and meets neighbors who know her as Sadie. She has just lost a job at an archive because it wasn’t an official position. She needs somewhere to live and some money, so she thoughtlessly applies for an artists residency that she sees is located in Dun, a town in Europe where Hermia lived. To her surprise, she gets it.

When she arrives in Dun, she finds the town enchanting but the residency dire. The other residents seem to be uniformly drab, so much so that at first she fears she has unwittingly applied for a business residency. They always carry around textbooks written in incomprehensible jargon and speak in that jargon. Mathilda continues her search for evidence of Hermia while pretending to do her work on the residency.

Behind the bemusing and sometimes funny portrait, von Reinhold has a serious theme—the erasure of Black European culture from the public consciousness. A good deal of Hermia’s story is told by excerpts from Mathilda’s Bible, a book called Black Modernisms. Sometimes this novel was a bit esoteric for me, but it was always interesting. I read it for my James Tait Black project.

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Review 2243: Antarctica

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Looking for more to read by Claire Keegan, I came across this collection of short stories written in the late 1990s.

In the title story, a happily married woman decides to try a one-night stand, with disastrous results.

In “Men and Women” a girl still young enough to believe in Santa gains some insight into her parents’ relationship.

“Where the Water’s Deepest” contrasts the care an au pair has for a boy with her employer’s disdain of her.

“Love in the Tall Grass” tells what happens after Cordelia’s married lover asks her to wait for him for ten years.

“Storms” is about a young girl’s memories of her mother, who has been put away in an asylum.

These are summaries of the first few stories, but there are several others. Many of them are about the mistreatment of women by their partners. Keegan’s writing is always beautifully lucid and her stories contemplative.

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Review 2231: Literary Wives! Sea Wife

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Today is another review for the Literary Wives blogging club, in which we discuss the depiction of wives in fiction. If you have read the book, please participate by leaving comments on any of our blogs.

Be sure to read the reviews and comments of the other wives!

My Review

At the beginning of Sea Wife, I thought, oh no, it’s in he said/she said format, which I’m already sick of. That’s not really what’s going on, though. Eventually we realize that Michael’s ship log entries are interspersed with Juliet’s thoughts as she reads them.

Juliet is home after a voyage in the Caribbean. Before the trip, she had been suffering from post-partum depression since the birth of her 2 1/2-year-old boy George (or Doodle). Then her husband Michael convinced her they should buy a sailboat and go to sea. She was terrified of this idea, having no sailing experience herself. However, eventually she agreed. Michael wanted to sail around the world, but she convinced him to sail in the Caribbean off Panama, where they ended up buying the boat, so they could stay near land. Along with them went Doodle and seven-year-old Sybil.

Michael is right about one thing—the adventure forces Juliet out of herself. It also focuses attention on their marriage. They have some lovely moments, but dread arises as we slowly realize that Michael has not returned home.

After my initial bad reaction, which only lasted a few pages, I found this novel absolutely compelling. The descriptions of their stops and of the seas are vivid and beautiful. Both Michael and Juliet have the opportunity to unearth some of their own demons.

What does this book say about wives or about the experience of being a wife?

Literary Wives logo

First I have to rant a little about how unprepared this couple were to take on this kind of trip. Michael’s teenage years spent doing a few trips on Lake Erie were definitely not enough experience to set sail on the ocean with his family, especially when Juliet has never sailed. They’re not sailing on a cabin-cruiser-type yacht but on a sailing vessel, which is much more complicated. He tries to teach her during the trip, but she gets confused about the names of things and is afraid of doing something wrong. This mid-life crisis experiment seemed so stupid to me that it took me a while to get past it. They lived in Connecticut, for heaven’s sake. As this was supposed to be his life-long dream, he could have rented a boat and taught her to sail before they went.

In any case, a sailboat, however large, is a good place to focus the mind on the family problems. Michael seems to have been breathtakingly self-absorbed during Juliet’s depression, leaving her alone with the kids almost all the time and not helping with the housework.

Michael loves Juliet, but he harbors a lot of resentment against her for being depressed and for focusing on her memories of being abused by a family friend. He seems angry that she turned out to be a different person than she seemed to be when they met, a woman he thought was brave and self-assured..

Juliet is afraid she no longer loves Michael. Her political beliefs are opposite to his and he hasn’t handled her depression well.

I like how their relationship ebbed and flowed during the trip, with good times and not so good, like a real marriage, instead of (more common with our Literary Wives books) being unrelentingly bad. Living the dream, Michael is nicer and more involved with the kids even though he is occasionally impatient and Juliet has gotten out of herself. The couple end up really having adventures, as well as working out some of their problems. But how does it end? I’m not telling.

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Review 2228: The Island of Missing Trees

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I’ve now read three books by Elif Shafak, but I always have the same problem. Some choice she makes in the narrative style separates me from getting fully involved. In this case, it’s the blasted fig tree.

In the 2010s, Ada is the sixteen-year-old daughter of Cypriot parents living in London. Her mother died the year before, and she is grieving. Her father, an introverted plant scientist who is also grieving, is not much help. Her parents went through traumatic events when they were in their teens during the invasion of Cyprus. Further, their marriage meant a break from their families, as Kostos is Greek and Defne was Turkish. Ada would like to understand more, but Kostos promised Dephne not to talk to Ada about their past.

Just before the holidays, Ada has a sort of breakdown in school, and her behavior is recorded and put on social media. She is depressed and hostile until her Aunt Meryem, whom she has never met, arrives for a visit. She is angry with her aunt because she didn’t come to Dephne’s funeral, but from her she begins to learn about Cyprus and her parents.

The chapters involving humans are separated by chapters narrated by a fig tree that Kostos brought from Cyprus. This fig tree knows all about the history of Cyprus as well as about various creatures. Plus, it is visited by numerous birds and insects, all of which have stories to tell or the tree has facts about them to impart. Every time I came close to getting involved in the flow of the story, there was a chapter by the fig tree to interrupt it. I finished the book, but I almost put it down numerous times, and I started skipping through the tree’s sections.

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Review 2222: Bitter Orange Tree

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As Omani university student Zuhour pursues studies and friendships in England, she is haunted by thoughts about the woman she considered her grandmother, whom she neglected and avoided before her death. She revisits her family history, from the time when Bint Aamir, an impoverished relative taken in by her grandfather, was ejected, along with her young brother, from their father’s house at the urging of his new wife.

Back in England, Zuhour befriends Suvoor, a wealthy girl of Pakistani heritage brought up in England. Suvoor is devastated because her sister, Kuhl, has chosen a young man who she deems socially unworthy of their family. But Zuhour grows closer to Kuhl instead of Suvoor.

This novel is a poetic examination of the past and future of this character, where her contemplation of Bint Aamir’s life—in which her father did not permit the only marriage she was asked for—seems to predetermine her own—in which she is in love with her friend’s husband. The most interesting parts for me were the historical ones. The novel refers often to Zuhour’s dreams and sometimes seems dreamlike itself, but I didn’t feel touched by it. I read this book for my James Tait Black project.

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Review 2211: Horse

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This novel tells the story of a famous racehorse and the people connected to him evoked through some objects—his own skeleton and three portraits of him. Although the main characters in the novel are fictional, many of the historical characters are not. The horse, Darnley, who is renamed Lexington, is still considered one of the best racehorses of all time, and many of his offspring have been champions.

In 2019 Theo is a Nigerian graduate student of art history at Georgetown. He plucks a painting out of the trash of his neighbor. It is of a horse, and he recognizes that it is well painted, so he decides to write an article about having it cleaned and valued.

Jess is the head of a lab at the Smithsonian that cleans and articulates animal skeletons for display and study. She has recently located the skeleton of the famous race horse Lexington for a scholar studying equine bone structure when Theo brings in his cleaned painting. Jess recognizes it immediately as one of Lexington painted by Thomas J. Scott, a 19th century horse painter.

In 1850, 13-year-old Jarrett is a slave working with horses for Dr. Warfield in Lexington, Kentucky. Jarrett’s father, Harry Lewis, is a well-known horse trainer who has bought his own freedom and is saving to buy Jarrett’s. Jarrett is with Alice Carneal when she gives birth to Darnley, the horse that will be renamed Lexington. After a promise from Warfield to give Darnley to Harry instead of his yearly wage, Jarrett develops a close relationship with the horse.

Thomas J. Scott is a young artist who specializes in painting horses and is hired by Warfield to paint some of his horses. While he is there, he paints a copy of his picture of Darnley and gives it to Jarrett. Later, he returns to paint an older Lexington.

These are the characters whose points of view are used to tell the story of Lexington. Brooks’s story is based on what is known of the real horse and characters with some inventions. It’s an interesting story with vivid descriptions of the races, of 19th century New Orleans, and of the racing industry of the time. It also has strong themes of the effects of slavery, racism, and cruelty to animals.

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Review 2207: Birnam Wood

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Well, this is quite a novel. Unfortunately, I don’t know how to explain what it is like without giving too much away. But I’ll try. Let me say that I don’t know whether I liked it, but it certainly is effective.

First of all, you’re not going to find a character in this novel to outright like. Catton has fully realized her characters as flawed people, and she keeps turning back to them and showing another side. There is definitely a villain, though.

Mira is the founder of Birnam Wood, a gardening collective that plants vegetables in unused spaces. Mira is not picky about whether they do this with permission from owners or even steal water or tools to do their work. However, most of the members believe their activities are legal.

Shelley is Mira’s roommate and best friend but also the person in Birnam Wood who does most of the management and publicity work. She is tired of not being listened to or having her contributions unacknowledged.

Mira reads that a landslide near Korowai National Park has cut off one of the accesses to the park, leaving only one road to a nearby town. A prominent businessman, Owen Darvish, who has property in the area that he had been planning to subdivide, took the property off the market because after the landslide it will not sell. Mira decides that this large, unoccupied property in a remote area would be perfect for a major planting operation, so she drives there to check it out.

On the property, though, she is apprehended by Robert Lemoine, an American billionaire who has been in the news because of a deal with Darvish. Eventually, he explains that he is buying the property from Darvish and is interested in donating a large sum of money to Birnam Wood to help ramp up their organization.

Tony, a radical Birnam Wood member who has been away teaching in Mexico, comes back to a meeting. When Mira presents Robert Lemoine’s proposition, he is very much against it but is outvoted. He walks out but decides to go to the area, thinking an article on what Lemoine is doing there would help his attempts to become a journalist.

Lemoine has a secret agenda that none of these characters know about. The novel moves from seeming to be a combination of a study of characters and somewhat of a sendup to a plot full of suspense.

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Review 2201: Homecoming

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To a certain extent, you know what you’re getting with a Kate Morton novel—a split time-frame story with family secrets revealed. The storytelling is always very well done, and more often than not, the story is engrossing. Homecoming is no different.

On Christmas Eve, 1959, Percy Summers is riding past Halcyon, the estate in the Adelaide Hills recently purchased by Thomas Turner, when he trespasses to water his horse in the river. By the river, he finds Isabel Turner and her children apparently asleep near the remains of a picnic. Only they’re not asleep. In his shock, Percy fails to notice a basket hanging from a tree—where Isabel put her baby. Later, everyone realizes the baby is missing.

In 2018 London, Jess is summoned home to Sydney because her grandmother, Nora Turner-Bridges, is seriously ill, having fallen while trying to go up to her attic. Jess, a currently unemployed journalist, has not been home in 20 years, but it was her grandmother who raised her.

Nora has told Jess stories about her brother Thomas, but it is not until she begins looking through Nora’s things for a letter Nora’s caregiver said upset her that she learns Thomas had a house in the Adelaide Hills where his family was killed when he was abroad. Jess can’t believe Nora never told her about this. In fact, she finds a book about the crime in Nora’s bedroom.

While Jess investigates the old crime, we learn about it from flashes back and from the book she found, which is contained in its entirety. For me, this was an unfortunate choice that made the slow unwrapping of the plot more artificial, particularly because it is far too short to really be a book. However, I got used to it.

There were several big mysteries wrapped within this crime, but the two big ones are, what happened to the baby? and did Isabel poison her family? I was fairly sure I knew the answers to both early on, but I didn’t guess the details or complications. In all, I felt that this novel, while not my absolute favorite of Morton’s books, was right up there.

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