Tag: England

Review 2190: Bleeding Heart Yard

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Detective Inspector Harbinder Kaur has transferred to London, where she is just meeting her two flatmates and her new team. Then she gets a high-profile case—while attending a school reunion, Conservative MP Garfield Rice, called Gary by his friends, has died of an apparent cocaine overdose. The only thing is, his friends say he doesn’t take drugs.

Attending the reunion are some notable figures—Isabelle Ister, a famous actress; Kris Foster, a rock star; Henry Skep, Labour MP—who used to belong to a popular group in school called The Group. Also members of The Group were Anna Vance, a teacher now living in Italy who is in London caring for her dying mother, and Cassie Fitzberbert, Harbinder’s Detective Sergeant. We know right from the beginning that Cassie believes she killed a boy when she was in school.

Of course, it turns out that Gary was murdered by an injection of insulin. His friends find it hard to believe, because Gary was liked by everyone.

There turns out to be more than one line of inquiry. Gary had received several anonymous letters featuring a bleeding heart, and he was regularly meeting other Conservative leaders at a restaurant in Bleeding Heart Yard. Also, the team learns that during exam week before the reunion attendees graduated years ago, a boy named David died when he fell in front of a train, and Gary was the principal witness. Harbinder wonders if David was actually pushed.

The book alternates narrators with members of The Group in first person and Harbinder in third person. I don’t remember if Griffiths used this form of narration in the other Kaur novels, but it began to irritate me. First, the first-person narrators should each sound different, but they don’t. More importantly, with the narration skipping around across very short chapters, the novel started to feel choppy.

So far, I have enjoyed the Harbinder Kaur series, but I didn’t like this one as much, despite it having an unpredictable ending. I still like Griffiths’ Ruth Galloway series best.

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Review 2188: Which Way?

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Which Way? is an early speculative novel about how a small choice can affect the rest of your life. After a beginning section that introduces us to Claudia Heseltine and gets her to the age of 22, she is presented with a choice of invitations—two by letter and one by phone—for the same weekend. Then the rest of the novel is split into thirds depending upon the invitation she decides to accept.

Claudia is a popular girl with intellectual and cultural interests. She has a close friendship with Hugo Lester, and at the point where the decision comes in, she has promised to visit his family home, and it is clear that he plans to propose to her. So, selecting another of the invitations means breaking her promise.

I found interesting what Benson makes of Claudia’s three fates and how these reflect the times. In two stories she marries, although only in one does she marry Hugo. In one she has a romantic (as opposed to sexual) affair with a married man and in another a full-fledged affair with the same man. All of the stories involve some pain, but Claudia herself changes with the situations she is in, so that in the story where she is faithful to her husband she seems the most superficial and frivolous.

Although, interestingly, she ends up happiest in the story where she remains single, she thinks she has missed the most important things in life—which are, of course, marriage and motherhood. There’s no happy career girl in the novel, although Simon Thomas points out in the Afterword that at her marriage she is much more innocent than he would have expected for the 1920s. In both stories in which she is married, she spends her honeymoon crying after ignoring the vaguely ominous things her mother tries to tell her.

I thought this book was most interesting as a portrait of the times, for the choices that are available and how Claudia views them.

I received this book from the publisher in exchange for a free and fair review.

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Review 2187: Dead Woman Walking

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I enjoyed Sharon Bolton’s thriller The Craftsman, but I have to say that I had lots more problems with Dead Woman Walking.

Jessica and her sister Isabel are on a hot-air balloon excursion in Northumberland National Park with 10 other passengers when they pass low over a farm and see a man beating a girl over the head with a rock. The man has a rifle, and once he notices them, he starts firing at them. They get away, but then they find that the pilot’s head has been shot off. In trying to flee and land the balloon, they make several mistakes and end up crashing.

The man has followed them through the forest on an ATV, so by the time the police get there, all the passengers that can be found are dead, apparently from the crash. Jessica, however, is missing. The police can’t figure out why she seems to be fleeing rather than trying to contact them, especially as it turns out she is also a police officer.

The plot switches between the investigation by Detective Alex Maldanado, the past history of Jessica and Isabel, and the hunt for Jessica by the murderer. It is written, especially at first, in short chapters and paragraphs which I think are supposed to heighten the urgency but instead irritate. I didn’t really buy that a man firing a rifle from the ground could shoot off the pilot’s head, but even if he could, I found that detail unnecessarily gruesome. There is enough to indicate he’s a ruthless killer.

None of the characters are well defined, even Jessica and Isabel. There are family secrets confusing the issue, and Jessica’s investigation to find out about. And speaking of which, the odds of the balloon going over this particular farm seem very low, even given my knowledge having read the book.

Finally, Bolton has a big reveal at the end, only I guessed it about halfway through the book.

Although Bolton starts with an interesting idea, it’s not a very thrilling book. In fact, it dragged for me in several places.

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Review 2185: The Transit of Venus

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The Transit of Venus spans the 1950s through the 1970s. It is a modernist exploration of the love affairs, both unconsummated and consummated, of the characters surrounding two Australian sisters in England, Caroline and Grace Bell.

The novel begins when Grace Bell is engaged to Christian Thrale. Grace is a few years younger than her sister Caroline, who is 21. Both are staying with the Thrales when Ted Tice, an astronomy graduate, arrives to plan the placement of a new telescope with Professor Sefton Thrale, Christian’s father. Ted, who is shabby and unprepossessing at the time, falls in love with Caroline at first sight.

Caroline, for her part, falls in love with Paul Ivory, whose play is being produced and who has just become engaged to Tertia Drage, the daughter of a neighboring lord. Caroline and Paul have an affair, but Paul drops her for Tertia, choosing position and wealth over love.

Caroline is devastated. She goes off with a friend of the Thrales, a middle-aged roué who has been bedding Tertia, but she ends up in London, working at a poorly paid government job and leading a bleak existence. All the while, she is loved by Ted Tice.

As the years go by, most of the main characters of the novel are overtaken by love. Caroline and Paul rekindle their affair for a time, but Caroline eventually happily marries a wealthy American philanthropist, Adam Vail. Christian becomes briefly obsessed with a young secretary, while Grace falls deeply in love with her son’s noble doctor. Grace and Caroline’s difficult older half-sister marries, to their relief, but then is robbed and abandoned by her husband.

Until the ending of the novel, I felt that the novel was a fairly detached examination of these various relationships in terms of the dynamics of who holds the power. Then Caroline learns a secret that makes her re-examine her entire adult life and made me re-evaluate my liking for the book. It turns everything on its head and makes the novel a great one.

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Review 2183: The Leviathan

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In 1703, someone has awakened, someone Thomas Treadwater has been watching over for 60 years.

In 1643, Thomas is on leave from the Parliamentary army, on his way home because of an urgent summons by his sister Esther. When he arrives home, he finds many of his father’s sheep dead and his father felled by an apoplectic fit.

Thomas is disturbed to find that Esther has incriminated a servant girl, Chrissa Moore, for witchcraft, blaming her for the state of their father and claiming that the girl has had relations with him. Worse, he finds that Joan, a long-time servant, is also incriminated. Almost immediately after Thomas arrives, Rutherford, an officer of the court, arrives to escort Esther to make a statement, and Thomas finds that Joan and her mother have been arrested as well as Chrissa, who is refusing to speak.

Esther goes down to the jail to see Joan but says she and her mother wouldn’t speak to her. When Thomas goes down to the jail, Chrissa asks him to speak to Lucy Bennett in Norwich. Then he discovers that Joan and her mother are dead, poisoned by hemlock.

Although I figured out part of what was going on almost immediately, thus begins a truly gothic story that involves an ancient legend, a family secret, and the poet John Milton. It’s full of adventure and is rivetting.

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Review 2182: The Love Child

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I guess I can say I’ve been theme reading lately with no plan to do so. By this I mean that I’ve been accidentally reading books with something unusual in common within weeks of each other. For example, I never read any books set in Sri Lanka (except one historical romance I read several years ago), yet within weeks I ended up reading two literary novels set there, one in the 80s and one more recently. Similarly, last summer I read two books set in Madagascar. Now, who would think that there were two books about an imaginary person who comes to life? Yet, a few weeks ago I reviewed Miss Hargreaves for the 1940 Club, and here is another novel on the same subject.

The Love Child is a different kettle of fish from Miss Hargreaves, though. The latter is an amusing romp, while the former looks more seriously at the fate of women in post-World War I England, where there was a surplus of them by nearly two million.

With the death of her mother, Agatha Bodenham (considered middle aged at 32) finds herself unexpectedly lonely. She and her mother have been very reserved and have not engaged in society, so she has no friends.

She remembers having an imaginary friend when she was a girl, a friend named Clarissa whom she romped with until her mother told her she was too old for such things. She begins by remembering the games she played with Clarissa, and eventually Clarissa reappears as an 11-year-old girl. Clarissa is a graceful, delicate girl, completely Agatha’s opposite. Agatha plays make-believe games with her and enjoys herself. But slowly Clarissa becomes visible to others.

When called upon to account for Clarissa’s existence, Agatha is confused and says she is her “love child.” No one believes this, but everyone assumes Clarissa is some relative.

Problems begin, though, when Clarissa starts to have a mind of her own.

This novel is quite a sad story, maybe, depending on how you understand the ending. It rests on then-current beliefs about how the lack of motherhood might affect women (it was published in 1927) and in the fate of unmarried women. I found it sometimes flagging for me but was interested to see how it ended.

I received this book from the publishers in exchange for a free and fair review.

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Review 2180: They Do It With Mirrors

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I am fairly sure I have never read They Do It With Mirrors before, but as I recently watched a TV adaptation, it was difficult for me to judge how easy it would have been to predict the outcome. I suspect it wouldn’t be.

Jane Marple has not seen her old school friend Carrie Louise for many years, but their mutual friend Ruth thinks something is not right, so she asks Jane to visit if invited. Carrie Louise is a frail woman whom others yearn to protect. She was left with a fortune after the death of her first husband. Her second husband left her for a dancer. Her third husband, Lewis Serrocold, is using wings of her massive home as a rehabilitation center for young criminals.

When Jane arrives, she finds quite a few people residing in or visiting the main house. Carrie Louise’s granddaughter Gina is there with her American husband Walter. Carrie Louise’s daughter Mildred is widowed and living there. Alex and Stephen, the two sons of Carrie Louise’s second husband, are there (well, Alex soon arrives on a visit), and they all get a surprise visit from Christian Gulbrandsen, an executor of the estate trust and Carrie Louise’s stepson. He is there to talk to Lewis, who is momentarily away, but Miss Marple sees them conferring outside when Lewis returns home.

After dinner, Christian has gone to his room to write letters when one of the inmates, Edgar Lawson, strikes up an argument with Lewis Serrocold and starts flashing a gun around. Edgar sometimes says different important men are his father and has moments of confusion and paranoia. This time he says Serrocold is his father and has been spying on him. The two go into his office, from which the others can hear the argument. They hear a gun fired outside, and then the gun in the office is fired, but when they get into the office, both men are fine. Later, though, Christian Gulbrandsen is found shot to death.

When questioned by the police, Lewis tells them Christian suspected Carrie Louise was being poisoned, her arthritis symptoms being similar to slow arsenic poisoning. And sure enough, when the police check a bottle of tonic that Serrocold told her not to take, it’s poisoned.

Soon there are two more deaths, and insights are needed from Miss Marple.

There are a lot of characters in this story and perhaps they’re not as vivid as Christie’s usually are, but she has set us an entertaining puzzle to solve.

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Review 2176: The Duke’s Children

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This last of Trollope’s Palliser novels begins with the unexpected death of the Duchess of Omnium, Glencora Palliser. This event begins a series of incidents that makes the Duke even more unhappy.

First, he learns that his daughter Mary has fallen in love with his son’s friend Frank Tregear while Mary and Glencora were traveling in Italy. Apparently, Glencora approved of the situation even though Tregear has neither position nor fortune. The Duke feels that Tregear does not have a position fit for his daughter, so he refuses permission but is upset that Mary is so unhappy.

Then Lord Silverbridge, his oldest son, tells him he has decided to run for Parliament—on the Conservative side, when the Pallisers have been prominent Liberals for generations. This despite the fact that Silverbridge doesn’t seem to have any strong political beliefs at all. However, the Duke is very pleased when Silverbridge tells him he would like to marry Lady Mabel Grex.

Lady Mabel has known Tregear for years, and they pledged to love each other. But neither of them has any money, so Mabel recently released him, only a few months before he met Mary. Although she has had several proposals of marriage, she cannot bear the idea of being married to any of those men until she meets Silverbridge, whom she sees is kind. However, when he proposes to her, she doesn’t want to be too hasty, so she turns him down.

Much to her later regret, Silverbridge, who thinks Mabel has been unkind, meets Miss Isabel Boncassen, the daughter of a prominent American of inferior roots. After a series of misunderstandings, Silverbridge decides he prefers Isabel.

The Duke remembers how his Glencora had been in love with another man when she was talked into marrying him, and that had worked out well. But Mary isn’t yielding, and soon he has two children of whose choices he disapproves.

I found this novel a fitting end to the series, although I was sorry Glencora died. The Duke seems to become closer to his children as a result, though. The interchanges between him and his two sons, Silverbridge and Gerald, are well handled, and it is nice to see all behaving affectionately. I have to admit that I preferred Lady Mabel to Isabel, who doesn’t have much of a personality until the end. However, I enjoyed this series very much.

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Review 2174: The Black Spectacles

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Detective Inspector Andrew Elliot is vacationing in Italy when he overhears an English party discussing some poisonings in a town back home. He is struck at first sight by Marjorie Wills. This proves to be unfortunate, because when he returns home, he is assigned the poisoning case and Marjorie is a suspect.

The poisoning case involves someone substituting poisoned chocolates for harmless ones in a local shop. One boy has died. However, this case is soon overshadowed by the murder of Marcus Chesney, Marjorie’s uncle, under bizarre circumstances. Chesney has a hobby horse that people aren’t observant, so he designs a demonstration of his point. During the demonstration, a bizarrely dressed man comes in to the room where Chesney is manipulating objects at a desk and forces a capsule down his throat. Although this is part of the demonstration, it is not part of it for the capsule to be poisoned. Chesney dies and his assistant is found outside bashed over the head. Later, the unconscious assistant is also poisoned.

Present are Chesney’s friend Dr. Ingram, the assistant, Marjorie, and Marjorie’s fianceé, George Harding, whom she met on the trip. Not present is Dr. Joe Chesney, Marcus’s brother, out on a house call.

As Elliot investigates, things keep pointing to Marjorie, but he can’t prove anything. Finally, he asks Gideon Fell for help.

The Black Spectacles is supposedly Carr’s most popular book, even though it doesn’t feature a locked door mystery, his specialty. I enjoyed it a lot, more than the other books I’ve read by Carr, although I immediately picked out the killer and never wavered. Still, I never figured out exactly what was going on during the demonstration.

I received this book from the publisher in exchange for a free and fair review.

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Review 2169: The House on Half Moon Street

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In Victorian London, Leo Stanhope is leading a difficult existence as a clerk for a hospital mortuary. His only extravagance is a weekly trip to the whorehouse, where he meets Maria, with whom he is madly in love. She is one of only a few people who knows his secret—that he was born a girl but has always believed he’s a boy. At 15, he left a comfortable home to live as a man.

One day the body of a murdered woman arrives at the mortuary. It is Maria, who did not turn up for the date they had for Saturday. Leo is soon brought in for questioning, but he is let go, and he becomes obsessed with trying to find Maria’s killer. He believes that her death may be related to that of another corpse brought in a few days before.

Of course, Leo finds that almost nothing Maria told him about herself was true, and that leads me to the first general discomfort I had with this novel even before Maria’s body turned up. That is, I really hate the trope of a young man being obsessed with a woman who is leading him on, especially one who exhibits stalker behaviors. If that wasn’t bad enough, Reeve puts Leo through so much physical and mental torment before he’s through that it made me very uncomfortable.

I think the mystery was complex and interesting, but Leo, who is self-obsessed and humorless, reminded me a lot of C. J. Sansom’s depressing hero, Matthew Shardlake. At one point, another character tries to point out that he is not only jeopardizing his own life but hers, but he thinks only of himself and continues to go on the same way.

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