Review 2165: #ThirkellBar! What Did It Mean?

The focus of What Did It Mean? is on Queen Elizabeth II’s coronation. The novel deals principally with Lydia Merton, who has been asked to chair the committee for the Northbridge coronation pageant. This gives Thirkell the opportunity to poke fun at village committee meetings, during which very little seems to get done.

Lydia also gets acquainted with the Earl and Lady Pomfret and takes an interest in their oldest son, Lord Mellings, who at 16 is too tall for his strength, sensitive, and shy. Lydia arranges for him to meet the actress Jessica Dean and her husband Aubrey Clover, the playwright, and they enlist him in a part for their short play for the coronation, which promises to do much for his confidence.

For a while when reading this book, I thought Thirkell was starting to phone it in or that she needed a better editor. For example, there is a scene in which Lydia telephones to the Clovers to ask them to participate in the pageant. Then immediately following that, she takes Lord Mellings to the Deans to ask the Clovers the same question. Similarly, she reminds us several times of the little romance that took place between Noel Merton and Mrs. Arbuthnot when Lydia became so sick. There are also too many meetings described and no apparent romance until quite late in the novel.

However, the novel picked up as it went on, and the romance, once it emerged, was understated and touching. I finally ended up liking this one almost as well as the others.

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Review 2164: Classics Club Spin Result! The Moorland Cottage

When I selected The Moorland Cottage for my Classics Club list, I didn’t really read what it was about. Then when it arrived—a print-on-demand novella without any extraneous information—I thought maybe it was a gothic story, since most Victorian writers wrote some early in their careers. However, it is a romance with a strongly moralistic ending.

The Brownes live in an isolated cottage on the moor. Mrs. Browne is the widow of the respected curate of Combehurst. She dotes upon and spoils her son Edward while scolding and nagging at her daughter Maggie. As a result, Edward is selfish and unheeding, while Maggie is loving and giving.

When the local squire, Mr. Buxton, who was friends with Mr. Browne, decides to send Edward to school, the Browne children meet Frank Buxton and his cousin Erminia, both about their same ages, with Frank being a little older. Both Buxton children are impressed by Maggie but dislike Edward, and Maggie and Erminia become good friends.

As young men and women, Edward has not improved his character, while Maggie is good and beautiful, used to thinking of everyone but herself. Frank falls in love with Maggie, but Mr. Buxton is strongly opposed to their engagement. Then Edward’s misdeeds complicate the situation.

I had to laugh when I saw this novel described as “feminist” on Goodreads. When I was a little girl, I detested a fairy tale called “Patient Griselda.” It was about a prince who subjects the girl he loves to a series of painful tests to see if she is worthy of him. I wanted the girl to tell the prince to buzz off. This novel is going in the direction of Griselda except it is Edward, not Frank, who is always making demands. Thankfully, the ending was a little better than I expected. The novel has a strong religious message but one that seemed wrong-headed to me.

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Review 2162: Shrines of Gaiety

It’s 1926. Ma Coker is being released from jail, and it’s like a circus in front of the prison. Nellie Coker is the head of a crime family in London, the owner of five clubs that Frobisher, the new broom at the police station, thinks are responsible for the disappearance of quite a few girls.

Miss Gwendolyn Kelling has unexpectedly inherited some money, so she quits her job in York as a librarian and decides to search for her friend’s sister, Florence Ingram, and Freda Murgatroyd, both 14, who have gone to London to make their fortunes, Freda being positive that she is going to be a star. When she goes to the police station, Frobisher asks her to visit one of the Coker clubs to report what she can observe.

Niven Coker, Nellie’s oldest son, by coincidence comes upon Miss Kelling on the street after she has been mugged. He gives her a ride to her ladies hotel, and afterwards she receives her purse.

Frobisher has been asking at the office for Maddox, one of the inspectors, but he has been on sick leave. Frobisher is sure Maddox is corrupt, but what he doesn’t know is that Maddox is putting the final pieces in place to take over Nellie Coker’s clubs. To start with, there is arson.

Maddox isn’t the only one after the Coker empire. There’s also Mr. Azzopardi, who begins by trying to exploit the weaknesses of Nellie’s youngest son, Ramsey.

There are some dark deeds in this novel, but it is written with a lightness that conveys more the fevered fun seeking of the time. For a crime family, the Cokers are curiously benign, and Nellie Coker seems to be three steps ahead of everyone else. The novel is more of an ensemble piece and doesn’t have a main character, although we admire Miss Kelling and also the plucky but naïve Freda. Although ostensibly a crime novel, I found it more a portrait of a particular period and enjoyed it very much. Atkinson has based some of it on the life of Kate Mayrick, the owner of clubs in Soho.

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Transcription

A God in Ruins

Review 2160: The Prime Minister

The Prime Minister is the fifth of Trollope’s Palliser novels and the most political so far. It follows two stories, one political and one not so much, but they intertwine.

The introduction to the Oxford World Classics edition says that Trollope wanted to write about politics but included a romance to make the book more acceptable to his readers. However, in this case, he admitted his idea of a romance was unfortunate. As a result, this novel was not as appreciated by his audience.

These days, we have bigger problems with this plot than Trollope’s contemporaries probably had. And that’s because of an anti-Semitism on the part of Mr. Wharton that seems so commonplace it’s not even commented on. As usual, I try not to judge older books by our standards, but be warned.

Instead of falling in with her family’s wishes and marrying Arthur Fletcher, who has been Emily Wharton’s friend since childhood, Emily falls in love with Ferdinand Lopez. Lopez has been generally accepted as a wealthy man and a gentleman, but no one knows anything about his family or his past.

Mr. Wharton is against the marriage, but the only reason he gives is that Lopez isn’t an Englishman and may even be a Jew. He doesn’t inquire into Lopez’s finances (which would have saved him a lot of trouble) or his background, but just refuses his permission until he finally gives up and allows Emily to marry. Slowly, we find out that Lopez has no money or any morals at all. Emily begins to learn what she has done on her honeymoon when Lopez insists that she ask her father for money after he has already given them £3000.

The political story concerns Plantagenet Palliser, now the Duke of Omnium. No one has been able to form a government, so the Duke is asked to attempt to form one, which of course would make him the Prime Minister. He tries to resist this honor, but he finally accepts it. At first he hates the position, because it doesn’t involve a lot of work on an important project, which is what he likes. He also has few social skills. He is upright and conscientious but not likable.

The Duchess at first determines to make a splash, so she begins endlessly entertaining. However, the Duke’s lack of appreciation for some of their guests begins to create problems, for example, when a man she invited to set up her archery range directly approaches the Duke for a political position and gets thrown out of the house.

One of her errors is to make Lopez a favorite, a decision which later causes problems for her husband. Despite its anti-Semitism, I found The Prime Minister to be an insightful depiction of marriage to an abuser, as Lopez separates Emily from her friends and family, belittles her, and makes all of his disappointments her fault. Even after he is gone, her behavior in thinking she has been shamed and must always bear that shame is true to the condition of an abused spouse.

I didn’t enjoy the political story quite so much but felt it to be insightful about people’s behavior in a political environment. I also like the ebullient, incisive Duchess.

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Review 2157: War Among Ladies

The staff at Besley High School are choosing up sides. Not only has the ineffective head, Miss Barr, appointed the steely Miss Lexington as second head, favoring her superior degree over the years of experience of Miss Parry, but then there is the problem of Miss Cullen, the French teacher.

The staff has been frantically preparing for exams. Miss Cullen used to be a good teacher, but her methods are out of date and her students don’t respect her or pay attention in class. Unfortunately, the system is structured so that failure in French (for some incomprehensible reason, and I assume for some other subjects, too) means that the student fails the exams as a whole, no matter what her other scores are. The result is that only four students pass the exam, which reflects on the whole school.

Further, Miss Cullen has taught for 26 years, but if she quits or is fired before she puts in four more, she loses her pension, including any money she has put into the fund herself. She can’t afford to quit.

All the other teachers are more or less in the same boat. If the school is closed or they lose their jobs, they are unlikely to be hired elsewhere because of the school’s poor reputation. Miss Parry begins actively trying to drive Miss Cullen out, suspecting that Miss Cullen will blame her inability to teach the students on Miss Parry’s failure to prepare them in Beginning French.

Into this hotbed come three new teachers, particularly idealistic Viola Kennedy. She does not understand that Miss Cullen’s attempts to befriend her are misunderstood as her joining Miss Cullen’s side in the school brouhaha.

This book was written to show how hard teachers work and how unfair the system is that forces teachers to work beyond their effective years (also how unfair the pension system is). However, it certainly makes women at work look bad. Although even the most badly behaved have flashes of sympathetic impulses (except maybe the despicable Miss Parry), they are relentless gossips and many of them are petty and vindictive. Women at work, at least here in the States, were stigmatized for years (as masculine or man-traps, and the word “unnatural” is used several times), and this book doesn’t do them any favors. Only Viola mostly keeps above the fray, but that doesn’t keep her from being dragged down by some of the others.

I received this book from the publishers in exchange for a free and fair review.

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Review 2154: #1940 Club! Sad Cypress

Elinor Carlisle is on trial for murdering Mary Gerrard at the beginning of this Christie novel. A doctor who knows her hires Hercule Poirot to find some evidence that will save her.

It all begins when Elinor receives an anonymous letter telling her that her inheritance from her Aunt Laura may be in jeopardy. Elinor isn’t really worried about that, since she and her cousin Roddy have long understood from her aunt that they will inherit. However, she realizes she should go down for a visit because her aunt is not well, and Roddy goes with her. They have always planned to marry, no matter who gets the money, and they decide to become formally engaged.

The note warned against Mary Gerrard, a lodge keeper’s daughter, whom Aunt Laura has had educated. Mary has been visiting Aunt Laura frequently since she returned from school. No sooner does Roddy see Mary than he falls in love with her. Elinor, who has always hidden how much she loves Roddy, sees this and breaks the engagement.

When Elinor is there on another visit, summoned because her aunt has had another stroke, the county nurse misses a vial of morphine. Aunt Laura asks Elinor to summon her lawyer, but she dies that night.

Elinor is surprised to learn that Aunt Laura died intestate and that as her closest relative, she gets everything. However, she gives £2000 to Mary and tries to give money to Roddy, but he won’t take it. When she is there to go through her aunt’s things, Mary is poisoned while eating sandwiches with Elinor and the county nurse, and dies.

Things look bad for Elinor, and at first everything Poirot can discover seems to point to her guilt. But the answer may lie in the past.

I began to have an inkling of the truth but not until the very end of the novel. However, I was sympathetic to Elinor and wanted her to be innocent. This was a Christie I hadn’t come across before and may not have read had it not been for the 1940 Club.

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Review 2148: The Wintringham Mystery

Stephen Munro has been living on a small legacy since he left the army, but the money has run out. Stephen has been looking for a job, but all he can find is a position as a footman in Wintringham. He finds he has nothing to offer the girl he’s in love with, Pauline Mainwaring.

When Stephen begins his position working for Lady Susan Carey, he finds his work is made more difficult because he knows some of the guests at a house party. They keep treating him as a guest rather than a servant. He is especially discomposed when Pauline appears, accompanied by Sir Julius Hammerstein, a financier who turns out to be Pauline’s fiancé.

Lady Susan lives with her niece, Millicent, and is often visited by Cicely Vernon, a favored daughter of a friend. Other guests include Freddie Venables, Lady Susan’s nephew and Stephen’s friend; Colonel Uffculme, a friend of Lady Susan’s; and other friends of Millicent. Later that evening, Cicely vanishes from the drawing room after playing a game where the lights are put out.

At first, it seems that Cicely is playing a prank, but when time passes and she doesn’t reappear, Stephen decides to figure out what happened. Odd events are going on in the house.

I found this novel to be clever and amusing. Lots of things are going on, and the mystery of what happened to Cicely is just one of them. Pauline makes an able fellow detective, and the characters are interesting and believable. This book was one of my favorites of the Golden Age novels I’ve been reading.

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Review 2145: The Locked Room

Just before the Covid lockdown in 2020, the attention of Harry Nelson’s team turns to an apparent suicide. Although they can’t find anything about it that points to murder, another “suicide” that is similar involves the bedroom door being locked from the outside. Harry tells his team to look at all recent suicides.

At the isolated three cottages where Ruth Galloway and her daughter Kate live, they have a new neighbor, a nurse named Zoe who seems disposed to be friendly. And speaking of the cottage, Ruth finds a photo of it in her mother’s things, which she is sorting. Ruth is surprised to find the photo, as her mother disliked the cottage. Then she realizes it is painted the wrong color and marked “Dawn 1963,” years before Ruth was born.

While Ruth is investigating the cottage’s past and Nelson’s team is looking for links between the apparent suicides of several middle-aged or older women, Covid hits and a lockdown begins.

Although several characters flagrantly break Covid restructions, this is another exciting entry in the series, featuring a new member on Harry’s team, several disappearing characters, a woman imprisoned in a locked room, a discovery about Ruth’s family, the possibility of Nelson leaving Michell, a threat to an important characters, and a true reflection of the difficulties of the lockdown.

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Review 2143: Death of an Author

Death of an Author wasn’t my favorite book by E. C. R. Lorac, but it certainly is a clever one. And Lorac airs that recurring question, Can a women’s writing be differentiated from a man’s? in her book set in the publishing world.

Andrew Marriott, the managing editor of a publishing company, is asked by one of his best-selling authors, Michael Ashe, to invite another of his authors, Vivian Lestrange, to dinner along with himself. Since Lestrange is a recluse, this subterfuge is necessary if Ashe is to meet him. Lestrange accepts, and Ashe is astonished to meet a self-possessed young woman.

A few months later, the same young woman goes to a police station. There she explains that she is Eleanor Clarke, the secretary for the author Vivian Lestrange, and she fears something has happened to her employer, as when she tried to go to work, no one answered her knock.

The police find the house impossible to enter except through a walled door and have to climb a ladder to get in. They find a perfectly cleaned house with no one inside but open French doors with a bullet hole through one. Miss Clarke says that not only is her employer missing but his housekeeper, Mrs. Fife, is not even known at the address she gave Clarke.

Inspector Bond is suspicious of Miss Clarke, and after some investigation shows no proof that Lestrange even existed, he theorizes that she was the author of the Lestrange books and is for some reason spoofing the police. However, Chief Inspector Warner is inclined to believe her, and his belief seems justified when a body with Lestrange’s notebook in his pocket is found burned up in a remote cottage.

After learning about Michael Ashe’s interest in Lestrange, the police look for him, but he appears to be out of the country. However, the timing of his departure makes it feasible for him to be the killer.

The detectives find a possible connection to two brothers, one of whom embezzled funds from a trust both were responsible for and escaped, while the other served in prison for it claiming he was innocent. Could one of the authors be one of these brothers? or both?

Although I had a feeling that the police made a mistake about the brothers, I did not figure out exactly what happened. I’m not quite sure why I didn’t enjoy this one as much as some others by Lorac, though.

I received this book from the publisher in exchange for a free and fair review.

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Review 2141: The Foundling

As a young woman, Bess Bright, a shrimp seller, has a first sexual encounter with Daniel Callard, a merchant. He disappears, leaving her with only a keepsake, half a whalebone heart, and a pregnancy. In 1748 London, she and her father, who already support her lay-about brother, cannot afford to keep the baby, so she takes her newborn daughter to a lottery at a foundling hospital, and she is accepted. She leaves the half heart as an identifier, so she reclaim her daughter.

Six years later, Bess believes she has saved enough money to redeem her daughter. But when she returns to the foundling hospital, she is told that she herself redeemed her daughter one day after leaving her, even identifying the keepsake.

Bess has discovered that Daniel died a few months after their encounter and that he was married. When she goes to consult Dr. Mead of the foundling hospital, he takes her to chapel, where she sees Mrs. Callard. With her is a six-year-old girl that Bess knows immediately is her daughter.

With unwitting help from Doctor Mead, Bess gets a position as a nursemaid with Mrs. Callard. There, she finds a strange household, where no one leaves the house except for the weekly chapel visit. Here the point of view shifts to that of Alexandra Callard, a woman full of fears and given to ritual.

I thought I had read a book by Stacey Halls before, but I was mistaken. I was at first disturbed by the first person narration, because it sounds nothing like a woman of Bess’s time and lack of education. Also, the first person narrative taken up later by Alexandra doesn’t sound like a different person. Hall could have easily avoided this problem by employing limited third person instead.

I got accustomed to the narrative style eventually and was pulled along by the story. However, without saying what it was, I found the ending spectacularly unlikely, especially the sudden change in Alexandra.

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