Day 302: The Cradle in the Grave

Cover for The Cradle in the GraveFliss Benson is a television producer who on the same day is unexpectedly handed control of an important documentary on women falsely accused of murdering their babies and then receives a mysterious card with 16 numbers on it.

As a result of her boss’s work, three women have been released from prison and the doctor who testified against them, Dr. Judith Duffy, is under investigation for misconduct. Now Fliss’ boss wants to resign and turn the project over to her. Shortly after receiving the job, Fliss learns that one of the mothers featured in the documentary was murdered–and a similar card was found in her pocket.

As Fliss tries to make sense of all the research materials she has been left with, DC Waterhouse is trying to untangle the evidence from his side. His boss “the Snowman” was the person who originally arrested the murder victim, although he knew her well and continued to protest her innocence. A little later, another of the freed mothers is attacked, and another card left for the police to find.

As usual with a Sophie Hannah novel, the characters are convincing, the plot is complex, and the conclusion is hair-raising. The dialog is bright and clever. Simon Waterhouse is as neurotic as ever, but he always eventually gets to the solution. When I am in the mood for some dark, twisted fun, Sophie Hannah is a great choice.

Day 300: The Land of Green Ginger

Cover for The Land of Green GingerJoanna Burton is a naive girl with a huge sense of adventure who has always wanted to travel the world in this most touching of Winifred Holtby’s books. Born in Africa but brought to England as a small child, Joanna has never felt like she quite fit in and has always wanted to return to the “land of green ginger.” During World War I she meets a young officer, Teddy Leigh, who tells her he is going to give her the world as a golden ball, and she believes him.

Several years later, however, she is living on a Yorkshire farm with two little girls and an ailing husband. Not only was Teddy gassed during the war, but he hid from her his history of tuberculosis.

As Joanna struggles to deal ineptly with the farm, her husband, and her children, a nearby landowner asks if they could take a Hungarian man in as a roomer. Joanna is so preoccupied with her troubles that she doesn’t notice her husband’s irrational jealousy or the rumors starting up in the village about her relationship with the Hungarian.

This novel is beautifully written and painful to read at times, as the readers see Joanna unconsciously make misstep after misstep and the neighborhood gossips become vicious indeed. Holtby only wrote a few books before she died at the age of 37, but she was a master at depicting life in the Yorkshire countryside and small towns.

Day 299: Moriarty

Cover for MoriartyI thought the idea of a novel written from the point of view of Sherlock Holmes’ nemesis, Professor James Moriarty, was an interesting one, but since I always found the Moriarty plot tedious, I now wonder why I thought so. When I opened the book cover to find that John Gardner is the author of many, many series novels and Moriarty is one of them, I was further dismayed, not generally being a fan of series writing (although I have a small number of favorites) and being even more skeptical of someone who writes many different series. Moreover, don’t be mislead into thinking this is a Sherlock Holmes mystery–this novel is missing Sherlock Holmes entirely and it isn’t really a mystery.

The novel opens with two introductions, both putting forward the pretense that the novel  is based on newly discovered diaries of Moriarty, which cannot be reproduced because of their vile content. I suspect the truth is that Gardner found himself unable to sustain a convincing 19th century writing style, this hunch seeming to be confirmed by the modern writing style of the book and the dialogue.

The plot concerns Moriarty’s attempts to re-form his criminal empire after an absence of several years following the Reichenbach Falls incident, in which, if you’ll remember, Conan Doyle attempted to kill off both Holmes and Moriarty. In Moriarty’s absence, other criminals have taken over his various enterprises.

Although not badly written, the novel completely failed to capture me. I was not interested in any of the characters and in fact thought they made unconvincing and boring criminals. One incident early in the book that is artificially spun out by going back and forth in time and place is confusing, and such a device seems totally unnecessary.

All in all, I found the novel tedious and only finished about a third of it before quitting.

Day 297: Persuasion

Cover for PersuasionMost people have probably read Pride and Prejudice, which is a wonderful book, but if I had to pick my favorite Jane Austen heroine, it would be hard to decide between Elinor Dashwood of Sense and Sensibility and Anne Elliot of Persuasion. Probably fewer people are familiar with Persuasion.

Anne is no longer in the bloom of youth. Seven years ago she fell in love with a young naval officer named Frederick Wentworth, but Sir Walter, her superficial, supercilious father, did not approve. Perhaps the gentle Anne would not have been dissuaded from marriage, but her older friend and mentor, Lady Russell, talked her out of the engagement because of Wentworth’s lack of wealth and social position. Anne listened because she viewed Lady Russell as a surrogate mother, and she hasn’t heard from Wentworth since.

Now the family has fallen upon hard times, and Sir Walter is forced by his profligacy to lease their house and take rooms in Bath. He and Anne’s fashionable sister Elizabeth care very little for Anne, and they leave her to close up the house and make all the arrangements for its occupation by an Admiral Croft. Much harassed, she readies the house and tends to her hypochondriac, selfish sister Mary Musgrove. At least she enjoys the company of the children and Mary’s genial in-laws, with their two daughters Henrietta and Louisa and Anne’s brother-in-law Charles.

Anne meets the friendly Admiral and Mrs. Croft, and between their society and that of the Musgroves, begins to find a little pleasant enjoyment. However, she is soon dismayed to learn that Frederick Wentworth is Mrs. Croft’s brother, and he will be arriving soon. Wentworth is now wealthy and has retired from the service.

When he arrives, Wentworth pays little attention to Anne; in fact, she overhears him saying that she has changed so much he would not have recognized her. This remark distresses her very much, as her feelings have not altered. Soon he appears to be courting Louisa Musgrove. Anne finds it easiest to send Mary off into company while she stays home with her nephews.

After Louisa has a fateful accident on an outing in Lyme Regis, Anne finds herself taking charge and summoning help. Then she returns with Wentworth to notify Louisa’s parents. Feeling superfluous after the Musgroves leave with Wentworth for Lyme Regis, Anne decides she has no choice but to join her unpleasant father and sister in Bath.

What I love about Anne is her understated good will. Despite the insults by her family members and their general bad treatment of her, she tries to help them and to be a true sister and daughter to them. Despite Wentworth’s slights and attention to Louisa, she hides her feelings and remains faithful in her heart. Anne has much in common with Elinor Dashwood, except that Elinor is well regarded by her family and Anne is not. There is something delicate and understated in this novel, and in all of Austen’s work, that I appreciate in this more tempestuous modern world.

Day 293: Before the Poison

Cover for Before the PoisonI never read anything by Peter Robinson before. I looked him up because of the TV series “DCI Banks,” as he is the author of the Inspector Banks series, but then I found that Before the Poison was already on my list of books to read. It is not an Inspector Banks novel, but I found it gripping from start to finish. Although it is not a mystery novel in the traditional sense, it involves an investigation of events in the past with revelations about the present and even the hint of a ghost story.

Chris Lowndes is a recent widower, a British composer of film scores who has been living in California for 35 years. He has purchased a large house in rural Yorkshire sight unseen with the intent of making his new home there and writing more serious music.

At the beginning of the novel, he arrives at his new home, which is beautiful and old but very isolated. He is puzzled to find some personal possessions left behind although the house has been leased for many years and asks his rental agent to find out who used to own it, as he bought it from a solicitor’s office.

Lowndes soon learns that his house was the scene of a notorious murder. Grace Elizabeth Fox, a nurse during World War II, was found guilty in 1952 of murdering her husband, the local doctor. Lowndes becomes interested in the murder and soon finds that the evidence against Grace was circumstantial and mostly based on the fact that she was having an affair with a much younger man. As he tracks down information and villagers who were alive at the time, Lowndes begins to wonder if there was a crime at all or if Doctor Fox died from natural causes.

Alone in the house most of the time, sometimes stranded by bad weather, Lowndes occasionally battles with depression, misses his wife, and is kept awake by strange noises in the house and thinks he glimpses a woman in the mirror of a wardrobe. He is also attracted to Heather, the realtor, who is having marital problems. And he keeps seeing a hooded figure out by the old lime kiln. Eventually he comes across a diary belonging to Grace, which relates her experiences as a nurse during the war.

This novel is atmospheric and very interesting. A few times I thought I knew where it was going, but it went somewhere else. I wasn’t really interested in the subplot involving Heather–I didn’t really like her–but otherwise I was totally engrossed by the novel.

Day 291: Brat Farrar

Cover for Brat FarrarI have only read a few mysteries by Josephine Tey and have had mixed reactions to them. I really enjoyed The Daughter of Time, but disliked The Franchise Affair. Brat Farrar is completely different from either of those novels, and I enjoyed reading it.

Patrick Ashby, the 13-year-old heir to the Ashby fortune, disappeared three years go. This novel isn’t a mystery about whether Brat Farrar is an imposter–we know that from the beginning–but about what actually happened to Patrick.

Brat, an orphan who bears a surprising resemblance to the Ashbys, is talked into impersonating Patrick, despite his better instincts, by a ne’er-do-well cousin of the Ashby’s. This cousin has carefully coached him for his part, with the understanding that after Brat inherits, he will pay the cousin a pension. Once Brat arrives at the house, he feels surprisingly at home with the place and the family, except for Simon, his supposed twin brother.

The characters are likeable, and the story keeps your attention, even though I figured out the solution to the mystery fairly early on.

Day 289: Birds of a Feather

Cover for Birds of a FeatherMaisie Dobbs is a “psychologist and investigator” solving cases in post World War I London. Birds of a Feather is the second book in the series by Jacqueline Winspear. Maisie’s background is unique, in that she is a former serving girl who was taken up by a mentor, educated, and trained in some unusual techniques to use in her investigations.

Maisie accepts the case of a wealthy owner of grocery stores, Joseph Waite, to find his daughter Charlotte, who is in her 30’s, and return her home. As Maisie investigates the case by locating Charlotte’s friends, they begin dying. At each crime scene, a white feather is left. White feathers were traditionally given to young men during World War I to shame them into enlisting, as they are a symbol of cowardice.

I read the first book in this series, Maisie Dobbs, and was not enthralled with it, so I only read this novel because it was chosen for my book club. I finally decided that I like the book a little, but it certainly has its flaws. Winspear is not very good at delineating Maisie’s character, I feel. Maisie also speaks surprisingly modern American English for a British woman in the 1930’s.

The biggest problem I have with Maisie, though, is that the unusual skills she has picked up to use in her investigations are far too New Agey to be convincing for a character in the 1930’s. It does not help my enjoyment of the novel, I fear, that I find many New Age ideas irritating.

In addition, it makes no sense to me at all that no one seems surprised to find the detective is a young woman. Even in P. D. James’ classic An Unsuitable Job for a Woman, written in 1972, characters express surprise to find a woman in that role. All-in-all, this makes too many anachronisms in the series to suit me.

Finally, I know this is a silly quibble, but I feel that Winspear spends too much time describing Maisie’s clothes.

Day 285: Full Dark House

Cover for Full Dark HouseThe back cover of this mystery calls it “mapcap” and “great fun.” I found it mildly amusing in a silly way.

John May arrives at work in the present time to find the place has been blown up, apparently with his partner Arthur Bryant inside. He investigates this incident while he thinks back to their first case together.

John joined Arthur during the Blitz in World War II working in the Peculiar Crimes Unit. Their case was that of a dancer at a theatre in Covent Garden who is drugged and then dragged into the elevator with her feet sticking out, so that when the elevator moves, her feet are cut off.

There are many gothic touches in this novel, which is not surprising because the author is apparently a writer of horror fiction. However, after references to phantoms, vampires, spiritualism, and so on, the murderer turns out to be human after all. I came away feeling that this book promises more, in the way of humor and the unusual, than it actually delivers.

Day 282: Speaking From Among the Bones

Cover for Speaking From Among the BonesEleven-year-old chemist and detective Flavia de Luce is back with her latest adventure in Speaking From Among the Bones. An expert in poisons and an accomplished snoop, Flavia has already solved four crimes before the ripe old age of twelve.

Having accompanied her sister Ophelia (Feely) to her organ practice one night, Flavia hears a flapping in the organ pipes that she thinks is a trapped bat. Feely is practicing for the Easter Sunday service, as Mr. Collicutt, the organist, has vanished.

The next morning when Flavia goes back to the church to get the bat out of the pipes (so that she can look at its blood under her microscope), she gets distracted into eavesdropping on a confrontation between the vicar and the bishop’s secretary over the unearthing and reburial of the bones of St. Tancred from his crypt in the church. The vicar has previously received permission to do this and now the bishop is trying to rescind it through a magistrate.

The vicar insists on going ahead, and the men open the sealed crypt enough so that Flavia can look into it. Inside the crypt is the body of Mr. Collicutt, with his head in an old gas mask.

Flavia’s investigations take her as usual all over the village and turn up all sorts of secrets, including a man hidden away in an old house, a secret passageway into St. Tancred’s crypt, and the whereabouts of a diamond that was buried with his body in the saint’s crozier. At the same time she worries about family problems, such as her sister’s impending marriage and the sale of the crumbling family mansion, Buckshaw, for back taxes.

As usual, Flavia herself is the most charming part of the series, as she plunges recklessly into and out of difficult situations, contemplates the structure of blood and the properties of ether, irritates her older sisters, and rides all over the village on her trusty bike Gladys. The novel is funny, the mystery absurd, the writing splendid, and Flavia always entertaining.

Day 280: Death in the Stocks

Cover of Death in the StocksIf you enjoy Georgette Heyer’s Regency novels but have never read any of her mysteries, you’re in for a treat. I’m not saying they are hard to guess, because she is so good at creating lovable characters that usually the murderer is the only character you don’t like (although in Death in the Stocks there are several unlikeable characters). But her mystery novels are funny and full of eccentric personalities. In addition, in true Golden Age form, the victim is often someone who deserves his or her fate.

A dead man is found murdered on Ashleigh Green, locked in the stocks. The victim turns out to be Arnold Vereker, a wealthy man with plenty of enemies, including most of his family members. Vereker used his local cottage as a nest where he entertained loose women.

When Superintendent Hannasyde goes to investigate the cottage, he does find a woman there, but she is Vereker’s half-sister Antonia. She has come down from London to argue with him about his having forbidden her marriage, as he was her guardian.

The list of suspects extends to Antonia’s brother Kenneth, who is the heir, his girlfriend Violet, Antonia’s shady fiancé, and Leslie, a friend of the family. Finally, the victim’s long-lost brother Roger reappears and claims his fortune.