I’m not quite sure what to make of this novella, which was longlisted for the Booker Prize but did not make the shortlist. It’s an atmospheric, closely observed story set in the 1950s that seems as if it is from an earlier time. I read it for Novellas in November.
Thomas Flatt is carrying on the difficult work followed by his grandfather, scraping the sea bottom at low tide for shrimp. He is the only man left doing this grueling job the old-fashioned way, with a horse and wagon, and the pickings are getting slimmer. He didn’t choose this path but was made to quit school to help his grandfather before he died. He lives with his demanding mother, but he has a secret desire to perform music at a local folk club.
One evening he comes home to find a stranger with his mother, an American named Edgar Acheson. He claims to be a movie director and produces as proof a cover of a movie magazine with a photo of his younger self. He wants to make a movie using the dismal fall sea as the setting, and he wants to pay Thomas, as an expert on the beach, to help him find locations. And indeed, the beach at low tide can be treacherous. He gives Thomas a check for £100, an astonishing amount, and arranges for him to take him with his horse and wagon that night.
And that’s pretty much all I want to say about the plot except that it holds surprises. Events happen that allow Thomas to explore feelings about the father he never met and to consider a new path for himself.
This novella was moody and minutely observes the details of Thomas’s exhausting job. It is the novella’s later events that leave me not knowing what to think about it.










