Review 2506: The Voyage of the Narwhal

In 1855, Erasmus Wells has spent years working with the items in his father’s collection of specimens, ever since he himself returned from an ill-fated exploration in the South Pacific. The members of the expedition were mocked, but the worst thing was the acclaim given to the leader after he released his book—cut and pasted from the journals and records he confiscated at the end of the trip—including Erasmus’s—but giving them no credit.

But Erasmus almost unwillingly finds himself departing on a voyage to the Arctic, to be lead by his sister Lavinia’s young fiancé, Zeke Vorhees. Zeke was raised like a younger brother to Erasmus and his brothers. He is handsome and charismatic, but may not make good leadership material. However, Erasmus has promised Lavinia he will take care of Zeke.

And Zeke proves divisive as a leader almost from the beginning, determined to do what he wants even if it unnecessarily risks the lives of his men. He almost immediately gets on bad terms with Mr. Tyler, the sailing master, even though he should be relying on Tyler’s experience. Although the purpose of the voyage is to find out more about the Franklin expedition, Erasmus becomes worried that Zeke has other intentions.

Periodically, the novel looks back at the people left behind, particularly Alexandra, who has been hired to keep Lavinia company. She is also hired by Erasmus’s brothers to color illustrations for a book of exploration, and later begins to engrave, but she yearns to travel herself.

Barrett builds suspense as the novel moves from Erasmus’s loneliness and sense of isolation to his fears about the results of Zeke’s leadership to a sense of true peril. This is a truly fascinating novel that builds on the records of actual voyages of exploration during this period. Although Erasmus has his flaws, he is a sympathetic main character. I’ve read several really good historical novels this year, and this is one of them.

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Review 2504: Novellas in November! Margaret the First

Margaret the First is another of the short books listed on the Literary Hub’s 50 Best Contemporary Novels under 200 Pages post. I read it for Novellas in November.

This biographical novel is about Margaret Cavendish, Duchess of Newcastle, called Mad Madge in her time. She was the first woman to write for publication. And write she did—philosophy, poetry, plays, and even utopian speculative fiction. She was also very shy, tended toward agoraphobia, and wore extravagantly creative clothing.

Although some of the book is about her childhood, most of it concerns her life during her marriage. Her husband, William Cavendish, was about 30 years older than she, was a Marquess when they married, and was fighting on the King’s side of the English Civil Wars. The court was banished to France, where she had been a waiting lady to the English queen. Although she returned to England to try to reclaim some of her husband’s possessions, he was considered too big a traitor to the Parliamentary side to come back himself. It wasn’t until the Restoration that the couple was able to return and reclaim some of his fortune.

The novel is written in a telegraphic style that doesn’t seem telegraphic. That is, Dutton manages to convey a great deal of substance in a very short work (160 pages) through clever word choice and phrasing. The first half of the novel is in first person but it switches to third person, while still remaining from Margaret’s point of view.

I enjoyed this novel a lot. It is a feminist work written in a sharp, modern style, and it has inspired me to look for more to read about Cavendish. It ends with some recommendations for further reading and a few pages of bibliography.

I should note that the title of one of my favorite books, The Blazing World by Siri Hustvedt, came from the title of a utopian novel by Cavendish. I didn’t know that.

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Review 2502: Novellas in November! Picnic at Hanging Rock

I have meant to read Picnic at Hanging Rock for years, so when I saw it on a list of short novels, I got a copy from the library for Novellas in November. It turns out I’m stretching a point with this one, though, at 204 pages, a little over the stated limit.

Let me warn you about this one. I suggest you don’t do too much poking around or read the Introduction before reading it. Even the Introduction suggests that you read it afterwards. Part of this suggestion has to do with a chapter that was removed at the suggestion of the original publishers. The Introduction to the Penguin edition summarizes this chapter, but I agree that the novel is much more powerful without it.

On a hot Valentines Day in 1900 Australia, most of the girls of Appleyard College for Young Ladies are bound for an outing—a picnic at Hanging Rock, an ancient local geographical and anthropological wonder. With them are three teachers and the coachman. The only student left behind is Sara, a 13-year-old orphan whom Mrs. Appleyard, the headmistress, uses as a scapegoat.

Although the girls are told to stay off the rock, after tea three senior girls ask to walk closer to it. They include Miranda, a girl loved by everyone at the school but especially by Sara. With her are her best friends, Irma, a beautiful heiress, and the brainy Marion. Edith, a younger girl who they think is a pest, tags along after them.

Although a couple of young men in a family party see them crossing a stream, no one sees them after that—or at least no one sees some of them. The girls fall asleep on a circular platform, and when they wake up very late, Miranda wanders away, seeming to hear no one’s calls. Later, Edith comes running screaming away from the rock but can’t remember anything except that she saw Miss McCraw, the mathematics teacher, running away without her skirt. By then, the party has been searching for the girls and has noticed that Miss McCraw is missing, too.

The whole countryside erupts into an uproar. On a subsequent search after the official police ones, the two young men who glimpsed the girls at the rock try searching again, and Mike Fitzhubert finds one of them barely alive. He is injured running for help, but his companion and groom, Albert Crundall, rescues them both.

Most of the novel is about the aftermath of the disappearances. This is an atmospheric and mysterious, even haunting novel that holds the attention. It’s an Australian classic.

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Review 2496: The Covenant of Water

In 1900, a 12-year-old girl, later known as Big Ammachi, travels to meet her future husband and marry him. Almost immediately after her father died, her uncle married her off. She is lucky, though, because her thirty-some husband makes no effort to consummate the marriage until she is 19. In the meantime, she acts as a mother to his little son Jo Jo and takes care of the house.

Although they live in southwestern India, on the Malabar Coast, an area where people are constantly in boats or on the water, she notices that her husband and Jo Jo avoid the water. It is not until Jo Jo dies in a tragic accident that she learns some members of her husband’s family suffer from the condition of disorientation in water that often results in drowning.

In 1933 Madras, Digby Kilgour, a Scottish surgeon, arrives to take up a position at the hospital. Although he was at the top of his class, he has found that his origins as a poor Glaswegian have kept him out of the positions where he can work with a more experienced surgeon. At the urging of one of his professors, he has applied for a position in India.

He finds fairly quickly that his superior, Claude Arnold, is incompetent, so he begins spending time at another hospital, working with an Indian surgeon. He falls in love, however, and this ultimately results in tragedy, turning his life toward a different direction.

Verghese takes his time, introducing many characters and stories and taking the reader through two more generations to the 1970s. He moves between these stories, eventually linking them.

Verghese is an enthralling story teller. Although on occasion he gets a little too deep into medical topics, for the most part, he gets us involved, depicts vivid sights and smells, and carries us along with his tale. Like those of some other writers of Indian descent that I’ve read, his tales loop and branch, but they eventually converge and resolve.

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Review 2495: The House of Doors

In 1947 South Africa, shortly after her husband Robert’s death, Lesley Hamlyn receives a package that has come a long way, through circuitous routes, to find her. It has no note and does not say who sent it, but it is a book written by Somerset Maugham more than 20 years ago.

This gift returns her memories to 1921, when she and Robert lived on the island of Penang and were visited by Maugham. The point of view shifts to that of Maugham, who soon learns that his broker has gone under and lost all his money. Although he is dreading his wife’s reaction from England, he is more afraid that Gerald, his secretary and lover, will leave him if he is broke.

He and Lesley begin to get to know each other. Eventually, she tells him about her life 10 years before. On the same day that she heard her best friend, Ethel, had been arrested for murder, she also learned her husband was having an affair.

Tan skillfully weaves the story of Lesley’s relationship with Ethel and the trial with her experiences resulting from meeting Dr. Sun Yat Sen, who has been attempting the overthrow of the Manchu dynasty in China. Lesley begins helping his organization translate its brochure and eventually has an affair with a Chinese man. They meet in the House of Doors.

I was interested in all these stories and although I know very little about Maugham, I spotted the seeds of more than one of his stories in them. For example, Ethel’s story is very similar to that of The Letter, which I am familiar with because of the movie with Bette Davis.

As much as I enjoyed The Garden of Evening Mists, I think I liked this novel even more. Although I read it for my Walter Scott Prize project, I probably would have read it anyway.

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Review 2492: #RIPXIX! The Witching Tide

In 1645, Martha is a mute middle-aged serving woman who has worked for the Crozier family since her master Kit was a baby. She is also a midwife and healer, who at the beginning of the novel is called out to help with a difficult birth. She takes along the young housemaid, Prissy, who is learning to be a midwife.

The birth doesn’t go well. The baby is born with a deformed nose and mouth that wouldn’t allow him to live, and the mother is bleeding too much. The baby soon dies.

Martha and Prissy return to taking care of their own difficult mistress, Agnes, Kit’s upper-class wife, who is heavily pregnant. However, everyone soon hears that a witch master has come to their town, and Prissy is one of the first to be taken.

It is Martha who actually has a poppet, given to her by her mother. Martha doesn’t really know how to use it, but she feels she should have been taken instead of Prissy, as Prissy is of course being blamed for the deformed baby.

In his attempts to free Prissy, Kit arranges for Martha to be one of the women who examines the accused for witch marks, hoping Martha can help her. But marks are found on Prissy, and Martha can do nothing. Prissy is one of the first to be hanged.

Others have doubted whether Martha isn’t a witch herself, and Martha is torn between fear and guilt. Soon, many of the women are accused, along with the community’s innocent, naïve young minister.

This novel evokes a constant feeling of dread. In addition, it is unsparing in its descriptions of the conditions of the time. It is also fully aware of the underlying misogyny of the witch trials. I think it qualifies for RIPXIX!

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Review 2488: #1970Club! Charity Girl

Georgette Heyer is always a pleasure, and I was delighted to reread this one for the 1970 Club. As usual, on my first post for the club, here is a list of some other books from 1970 that I have reviewed:

Now for my review.

While visiting friends in the country, Viscount Desford goes to a party to see the latest beauty. He notices someone watching the party from upstairs. Thinking that she’s a child, he speaks to her, only to find she is older, a naïve relative who has been taken in out of charity.

The next day on his way to London, he finds the girl, Cherry Steane, on the road, running away from her aunt. Desford tries to talk her into returning, but she has been treated as a drudge and accused of trying to attract Desford to herself away from her beautiful cousin. He finally agrees to take her to her grandfather’s house in London, but upon arriving there, finds the house shut up.

Desford tries to think where he can take Cherry without ruining her reputation. His parents’ house is out of the question, not only because his father is suffering from a gout attack but also because Lord Desford despises both Wilfred Steane, Cherry’s father, who disappeared without paying her school fees, and Steane’s father.

Desford decides to take her to his best friend, Henrietta Silverdale. At one point, Lord Desford tried to arrange a marriage between Desford and Henrietta, but both refused. However, when Desford brings Cherry in, Henrietta feels pangs, fearing he may be attracted to her.

This novel features one of Heyer’s romping plots, with Desford encountering a slew of memorable characters while he tries to find a place for Cherry.

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Review 2487: The Heaven and Earth Grocery Store

In 1930s Pottstown, Pennsylvania, the Jewish residents are beginning to move away from the Chicken Hill neighborhood where they’ve always lived with their Black neighbors. But Chona Ludlow refuses to leave the Heaven and Earth Grocery Store that her father established even though her husband Moshe would like to live in a neighborhood where the streets aren’t muddy and there is running water and sewage.

Chona is beloved by most of her neighbors for her kindness. She runs a tab for anyone who needs it and hands out marbles and small toys to the neighborhood children.

There is always some kind of trouble on Chicken Hill. Chona herself constantly writes letters to city officials complaining of unfairness to various Jewish or Black residents. But trouble from higher up arrives when Moshe’s trusted friend and employee, Nate Timblin, and his wife Addie take in his 12-year-old deaf nephew Dodo, whose parents have died. The trouble starts when Dodo stays out of school because he can’t hear the instruction and is being mocked. Officials decide to institutionalize him by placing him in a horrible insane asylum called Pennhurst under the assumption that since he can’t hear, he’s an idiot.

Nate, who is Black, asks Moshe if he will hide Dodo at the store. So Dodo moves in and helps out at the store and hides in the cellar if the authorities come by. But word gets out that Chona is hiding Dodo.

A combination of criminal and tragic events result in Dodo being caught. Can he be rescued from forces against him, including the racist Doc Roberts, a prominent member of society and also of the Ku Klux Klan?

McBride tells a great story, peopled with lots of colorful characters. There’s a lot going on in Chicken Hill, and it makes for fun and sometimes touching reading.

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Review 2483: In the Upper Country

In 1850, Lensinda Marten lives in an all-Black town in Canada north of Lake Erie. She is a healer, but she is puzzled when she is summoned to the side of a slave catcher who has come after a group of escaped slaves that are hiding on Simion’s farm. Puzzled because the man is dead. When she hears that an old woman, one of the escapees, has been arrested, she realizes she is wanted to write a story about the woman for the Abolitionist paper.

She goes to visit the old woman in jail and finds that she isn’t ready to tell her story. Instead, she wants to swap stories with Lensinda. In doing so, a history of cruelty is reveealed, and the two women find connections between each other.

Thomas says in the Afterword that he heard and read many stories about Canada’s history of slavery, its treatment of First Nations people, and the War of 1812, but he could find no story that did everything he wanted. So, he chose this method of telling several stories that interface.

Although I found the information interesting and the settings and historical details to be convincing, I’m afraid his approach didn’t work that well for me. Just as I was getting interesting in Lensinda’s story, the novel appeared to move away from her. There were quite a few characters whose connections aren’t immediately clear, and I kept getting them confused as we jumped from story to story. Eventually, the stories connect, but that wasn’t clear for quite a while.

I read this novel for my Walter Scott prize project.

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Review 2482: These Old Shades

In trying to fill some of the holes in my Century of Books project, I noticed that These Old Shades, which I haven’t read for many years, would help. This novel is Heyer’s first, and it is also the first of four about the Alastair/Audley family. (The others are The Devil’s Cub, Regency Buck, and An Infamous Army.)

Late on a mid-18th century night, His Grace of Avon Justin Alastair is walking through a Paris slum when a boy collides with him. The boy is fleeing his brutish brother. On impulse, the Duke buys the boy, but it is clear he is up to something. He takes the boy home and makes him his page.

The boy, Léon, has fiery red hair and dark eyebrows. The Duke has noticed this resemblance to his enemy, the Comte Saint-Vire, and takes Léon around to embarrass him. However, he begins to have other thoughts about the resemblance because of Saint-Vire’s reaction.

Soon, though, it is revealed that Léon is really Léonie, disguised as a boy since she was 12. The Duke takes her to England and leaves her with his sister while he arranges a chaperone, announcing that he intends to adopt her as his ward. Léonie is starting to enjoy being a girl when she is kidnapped by Saint-Vire.

This is an adventurous, amusing romantic novel. The Duke is enigmatic and Léonie is charming and feisty. Although the Duke has a bad reputation and is known as Satanas, as his relationship with Léonie develops, he becomes more human. Some of the interviews between Saint-Vire and Avon struck me this time as a little unsubtle, but overall, it is a great start to Heyer’s career and I enjoyed it very much.

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