Tag: historical fiction

Review 2477: The Time of Women

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In 1950s Soviet Union, Antonina has a child out of wedlock. She is lucky to be allotted a room in a house with three old ladies, making a deal with them to cook and clean if they’ll take care of the baby while she’s at work at the factory. The deal becomes even more important when they realize Suzanna isn’t talking at the right time. They all become terrified that the girl will be institutionalized or at least that Antonina will be forced to take her from one doctor to another.

So, Suzanna stays out of school and the grannies teach her to read and write and even to understand French. She imbibes Russian fairy tales as well as some strange beliefs and superstitions, and the grannies sneak her to church to have her baptized.

All goes well until a man at work, Nicholai, starts paying attention to Antonina. Although they have done nothing but have tea, the union people at work assume they are having an affair and begin pressuring them to get married.

Then the situation turns serious. Antonina has cancer. How will the grannies be able to arrange to keep Suzanna after Antonina dies?

This novel effectively depicts the poor living conditions and the uncertainty of life in Soviet Russia, where the state can become involved in the details of anyone’s private life. The narration moves from person to person, and a lot of action is conveyed in somewhat elliptical dialogue, so I wasn’t always sure what was going on. Dreams and stories are also given a lot of importance.

I found the ending, which is another story, fairly unsatisfying, though.

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Review 2476: Hungry Ghosts

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I feel safe in saying that if I wasn’t reading Hungry Ghosts for my Walter Scott project, I wouldn’t have read it at all. It is absolutely brutal.

In 1940s Trinidad, Krishna lives with his family in the Barracks, run-down ex-military barracks that are leaky and filthy, where five families live in each building, one to a room. Krishna’s father Hans has aspirations for better and insists that Krishna attend school in the village, but there he is mercilessly teased and bullied by other students as well as teachers. Krishna and his cousin Tarak have begun to hang with two twin brothers, Rudra and Rustrum, who have a bad reputation because their father was a murderer.

Hans works for Dalton Changon, a prosperous man. Changon’s wife Marlee has recently noticed some disturbing changes in his behavior—a heightened paranoia and a tendency to hallucinate. Then he disappears during a night when there’s a terrible storm.

Marlee receives a threatening note, so she offers Hans a large amount of money to stay on the property overnight as a guard. He accepts, thinking to save a down payment on a house. However, soon he is involved in a torrid affair with Marlee, not even returning to his home when his wife, Shiveta, is hospitalized for an infected foot.

Meanwhile, Krishna, defending himself from some village boys who try to drown Tarak’s dog, injures Dylan Badree. Because Dylan’s father is a policeman, Krishna is put in jail and is only released after Marlee’s intervention. But the boys’ feud begins to go in evermore dangerous directions.

This book contains graphic descriptions of drowned dogs and murdered dogs and the killing of a rabbit. Everyone in it who seems like a good person either becomes bad or is victimized. The language of the book is impressive, but sometimes Hosein uses such obscure words that it seems pretentious. Hosein certainly describes a vivid world, but it’s not a place I wanted to be in.

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Review 2474: North Woods

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In early colonial days, a couple flees one of the colonies into the wilderness of Massachusetts. There, they settle in a valley.

A settler with a baby is kidnapped by natives. When she becomes ill with fever, they leave her with an old white woman, who cares for her. But when white men come after her and plan to kill the natives—the old woman’s friends—she murders them. Before this happens, one of the men gives the captured woman an apple, and she drops the seeds on the ground.

An apple tree grows.

After the French and Indian Wars, Major Charles Osgood gives up his uniform and decides to grow apples. His friends think he has lost his mind. He searches all over until a child leads him to an apple tree near a ruined cabin in the wilderness. The apple is marvelous. He builds a house and takes cuttings from the tree to make an orchard, producing an apple called Osgood’s Wonder.

So Daniel Mason goes on relating the history of this plot of ground, from one owner to another. People die, are murdered, are conned, become ghosts, run mad, the wilderness recedes and then returns, the house is ruined and rebuilt, added to, ruined, rebuilt. Each section is linked to others by characters, coincidences, and place. Some of the incidents are funny, some fates are sad, some characters get what they deserve. Tales are punctuated by songs written from the grave.

I can’t really convey how much I enjoyed reading this unusual novel. It’s steeped in the beauty of the forest. It somehow manages to involve you despite some quite short (some longer) stories of its characters. You get worried about the fates of apple and chestnut trees! I loved this one. It did exactly what a book is supposed to do, pulled me into a different world and made me reluctant to leave it.

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Review 2473: My Father’s House

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Helen of She Read Novels has posted a note about Readers Imbibing Peril (RIP XIX), which I always forget about but usually participate in. As somewhat of a suspense novel, My Father’s House qualifies, so let this be the start of my participation this year. Most of the action is on Instagram at @PerilReaders, but I am not a great user of that.

My Father’s House is a book I read for my Walter Scott project, and it is also the first in O’Connor’s Roman Escape Line trilogy. It is based on the true story of the Escape Line, a group of people who helped captured soldiers and others escape from the Nazi occupation of Rome. In particular, it focuses on Monsignor Hugh O’Flaherty, one of the group’s founders.

After Rome is overrun by the Nazis, the Vatican gives Monsignor O’Flaherty a duty of ministering to British soldiers in Nazi captivity. Being an Irishman, he isn’t eager to do this duty. However, when he sees the condition of the men and the ease with which the Nazis break the Geneva Conventions, his manner to the Germans is such that he is removed from the duty. In this way, he comes to the attention of Obersturmbannführer Paul Hauptmann.

O’Flaherty then decides to form a group to help soldiers escape from the Nazis. The group becomes successful enough that Hauptmann begins receiving threatening communications from Himmler.

Much of the novel centers around a Rendimento, as the Choir, the central group that runs the Escape Line, calls their missions. The group has planned its mission for Christmas Eve (1943), thinking that Hauptmann won’t expect it, but in the last few days, Sam Derry, an escaped British major who would normally run it, is incapacitated. They begin training Enzo Angelucci instead.

The main focus of the novel is whether the mission will be successful, but the narration travels around in time and person via transcripts of interviews of several of the participants. In some respects, this structure is interesting, helping you get to know the other characters, but they didn’t all have distinct voices, and you didn’t get to know them well. There is also the disadvantage that the approach tends to interrupt the building suspense.

I thought the novel was very interesting in its subject matter. I’d never heard of the Escape Line. However, as the first of a trilogy, I’m not sure how much more there is to say, even though no doubt there are many adventures to recount. I didn’t feel as if I got to know most of the characters in the novel, not even the Monsignor.

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Review 2462: Weyward

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Bookish Beck has a meme called “book serendipity” where she finds things in common between books she’s read recently, and I have a doozy. Not to give too much away, but this is the second book I’ve read in two weeks where women decide that the only way to deal with their abusive husbands is to murder them.

This novel is set in three time frames. In 1619, Altha is being tried for witchcraft. In 2019, Kate has discovered she is pregnant, so she has decided she must leave her abusive boyfriend, Simon. She has inherited a cottage from her Aunt Violet that he doesn’t know about and she has quietly saved some money, so she goes. In 1942, Violet has grown up isolated, not even allowed to go to the village and never told anything about her mother. At 16, she is jealous of her brother Graham, who is allowed to study interesting topics while she is forced into a traditional feminine role. She wants to travel the world and study bugs, but her father has apparently already chosen a husband for her.

Back at the cottage, Kate begins looking into her family history, into the women who called themselves the Weywards and have an unusual connection to animals.

This is an interesting novel with supernatural overtones that are fairly slight. I was interested in all three stories, although I found the outcomes of Altha’s and Kate’s stories fairly easy to guess. In this novel, I wasn’t as disturbed by the husband murder as I was in the other novel, in which I thought the wife could have easily gotten away. In any case, almost all the men in this novel are rotten to the core. So yes, I liked this novel fairly well.

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Review 2458: Miss Granby’s Secret or the Bastard of Pinsk

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I was thrilled to learn that Dean Street Press was continuing its Furrowed Middlebrow imprint. This novel is an entertaining entry in that line.

In 1912, Pamela receives a bequest from her great-aunt Addie Granby of a house and a box of keepsakes and papers. Aunt Addie had been a well-known romance writer, but her modern great niece doubts that her spinster aunt ever understood the facts of life. Pamela finds hints that Addie had a romance when she was 16 with someone named Stanislaw. She also wrote her first novel.

The entirety of the novel, entitled The Bastard of Pinsk, is included within this novel. It begins with a conscientious list of terms that some polite young man has given her definitions for. As an example, “bastard” is given as “a very noble Hero of Royal Blood.”

The novel within the novel is made funny by the naïveté of its author, who writes in a Romantic, florid style and flings about words she doesn’t know the meaning or connotations of. Her Romantic upbringing and reading in the Gothic tradition are manifest in the ridiculous plot. If I have any criticism, it’s that it’s a bit too long. However, it picks up as it goes along.

Twenty years later Pamela learns that her friend Adey has been nursing an old man—her Aunt Addie’s Stanislaw! Now, she thinks, is her opportunity to find out about Aunt Addie’s past.

I received this book from the publisher in exchange for a free and fair review.

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Review 2453: The Square of Sevens

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Now, this is the kind of historical novel I like. The time period seems to be well-researched, the flawed heroine is still likable, and the plot is twisty and interesting.

Red tells us about her life in 1730, when she was seven. She has been traveling all her life with her father, a Cornish cunningman named John Jory Jago. But he believes his life is in danger so is using an assumed name. He has taught her to read fortunes using the square of sevens, a technique passed down in her family. She knows nothing of her mother except she is dead.

They meet Robert Antrobus at an inn. He is an antiquarian who is interested in the square of sevens. Her father tries to get him to take Red, but he refuses. Red’s father dies, and Antrobus returns to take her home to Bath and adopt her.

Now named Rachel Antrobus, Red begins as a young woman to try to find out about her family. The pack of cards she has always used has a Latin slogan on it that is the motto of the rich and powerful De Lacey family. That family is engaged in a legal battle over the estate between most of the De Laceys and Lady Seabourne, a sister of Julius De Lacey who is estranged from the family. The dispute is about a codicil that Nicholas De Lacey left, leaving the bulk of his estate to his first grandchild. Lady Seabourne’s son is that grandchild, but the rest of the family claims that Nicholas burned the codicil.

Red learns enough about the family to believe that she is the daughter of a runaway marriage between John Jory Jago and Patience De Lacey. Then she finds the codicil in the tube that contained the document explaining the square of sevens and realizes she is the first grandchild.

Fairly early on, we see another point of view. Lazarus Darke is working for Lady Seabourne trying to find the codicil.

Someone breaks into the house, killing the housekeeper, Mrs. Fremantle, obviously looking for something. Then Mr. Antrobus dies. Red has reason to believe that her new guardian, Henry Antrobus, has stolen her inheritance from Mr. Antrobus, and then he sells the codicil. Red runs away from home to London.

Red finds herself a job telling fortunes at a show, an illegal activity. The show was once a joint enterprise between John Jory Jago and Morgan Trevthick. Red, who has thought her mother dead, finds out that Patience De Lacey is Lady Seabourne. She presents herself to her, but Lady Seabourne throws her out. So, Red decides to infiltrate the De Laceys as a fortune teller for Mirabel Tremaine, who she believes is her grandmother. But can she find the codicil? And how will she prove that she and John Jory Jago lived instead of both going over a cliff when she was a baby, as everyone believes?

Soon, Red realizes she has entered a nest of vipers. But are they all or only some of them vipers? It seems as if I have told a lot of the story, but there is much more to come.

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Review 2450: The Lotus Eaters

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I’ve had The Lotus Eaters on my TBR list for a long time, so I finally decided to get a copy. Unfortunately, it turned out to be a DNF for me the first time. (But read on, because I eventually finished it. My review is in two parts.)

The novel begins with the fall of Saigon in 1975. War photojournalist Helen has left it late to try to get herself and her wounded husband, Linh, out of the country. Torn between trying to get photos of the fall and getting out safely, after a long, dangerous struggle to get to the American embassy, Helen gets Linh into a helicopter and then returns to the city.

The novel then moves back in time to 1965, when Linh has just been forced to rejoin the South Vietnamese army. On his first day back, he meets photographer Sam Darrow, who gets him appointed as his assistant. But on the same day, friendly fire destroys his village, including his parents and his pregnant wife. Linh deserts.

After months in Saigon, Linh gets a job with Life magazine by claiming to be Darrow’s friend. He ends up being Darrow’s assistant again. Then the focus of the novel shifts back to Helen and her arrival in Saigon as an inexperienced photographer.

First Review

I gave this novel 100 pages, but although I was interested in the setting, I just didn’t care about these characters. And although Soli does a good job of describing some things, I just wasn’t feeling the setting or getting engaged in the story. This seemed like a mediocre attempt at historical fiction. Things didn’t come to life.

I realized later that this book was part of my James Tait Black project, so I should have tried to finish it, but I didn’t.

Second Review

I gave The Lotus Eaters another try after I realized it was not only part of my James Tait Black project, but it had won the award that year. When I quit reading, it was because I assumed that the novel was mostly going to be about Helen’s romantic relationships with married photographer Sam Darrow and then with Vietnamese photographer Linh, and I wasn’t at that point that interested in them. However, it turned out to be more about Helen’s growing love for the country and whatever it is that makes people risk their lives to get photos of dangerous events.

Soli is good at evoking the landscapes and scents of Vietnam, as well as the dangers. Although I became interested enough in the story to finish it, I still felt a considerable distance from the characters. I was most interested in Linh, but we only see from his point of view briefly at the beginning and end of the novel, and after all he goes through, his most defining characteristics are loyalty and love for Helen.

So, I still only liked this novel somewhat. I couldn’t help contrasting it with the recent movie Civil War, also about photojournalists and much more gut-wrenching.

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Review 2443: After Sappho

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I read After Sappho for my James Tait Black project. It is experimental, written in short vignettes that jump around in time and from person to person. It tells the stories of lesbian women, mostly literary figures, trying to make a place for themselves. It begins in the late 19th century with women fascinated by the poet Sappho. Some of them study Ancient Greek, some dress like ancient Greeks or re-enact ancient plays, some travel to Greece.

The novel is vividly written in first person plural or in third person, at times slyly ironic, sometimes engaged in word play, often invigorating and with lots of sexual metaphors. It is interesting, telling of repressive laws against women, particularly in Italy, and reporting actual aggressively misogynistic “scientific” or political statements by men. It goes on to tell of the accomplishments and tragedies and love affairs of its protagonists, largely ignoring the men in their lives. For example, from this novel, you wouldn’t know there was a Leonard Woolf, just a Vita Sackville-West.

Although I found the novel very interesting at first, there were so many characters that I couldn’t keep track of them or remember which events happened to which ones. I could only track the ones I was already familiar with. For example, the novel begins and ends with Lina Poletti, even though she disappears about halfway through, so she is obviously important to Schwartz, but by the end I couldn’t remember her. I felt like I needed a chart.

And yet, I feel that with more character definition, I might have remembered all of them, but these short vignettes that tell of an activity or something they said didn’t really provide a cohesive picture to me of what the women were like.

So, I applaud this novel’s daring devices, but they didn’t really work for me.

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Review 2436: The Dark Fantastic

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I was surprised by the direction that this novel took, but I would have been less surprised if I hadn’t missed a note from the author. It explained that although the characters were made up, the novel was inspired by events that took place at her great-grandparents’ home in rural Indiana.

In post-Civil War Terre Haute, Indiana, Judith Amory is defying convention by attending Macbeth without a male escort. She has recently been dismissed from her teaching position for being too advanced in teaching George Eliot, so she can’t really afford to go, but she thinks of herself as refined and cultured and is excited to see the performance of Edwin Booth.

At the performance, she ends up breaking convention again by speaking to her neighbor, a young man who has journeyed in from his farm just to see the play. Judith finds him handsome, prosperous looking, and eager to discuss literature, perfect for her idea of a husband—until he says he has a wife and three children. Then he mentions that the nearby town needs a teacher.

Judith is not dismayed. First, she intends to have that job even though it’s a bit beneath her. Then, she intends to have that man, Richard Tomlinson.

How she gets her Becky Sharpish way is one thing, but what happens afterward is quite unexpected. This is a pretty good, darkish novel that dabbles in the supernatural. Echard is good at setting her scene and presenting the dynamics of the Tomlinson family. She’s good at depicting the main characters, although I lost track of some of the secondary ones. This is a good one for those who like darkish tales. Warning for the politically correct—the one Black character is depicted stereotypically as isn’t surprising for a novel published in 1947.

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