Tag: Michael Cunningham

Day 648: The Snow Queen

~ whatmeread ~ 4 Comments

Cover for The Snow QueenAlthough The Snow Queen is marketed as Michael Cunningham’s reworking of the classic fairy tale, the novel actually alludes to it more than rewrites it. Tyler Meek gets an ice crystal in his eye as does the main character of the fairy tale, so we know he will not be able to see clearly. The Snow Queen herself is the drugs Tyler takes.

The novel begins with Tyler’s younger brother Barrett walking home through a snowstorm. He has just been dumped by his lover by means of an abrupt text and is wondering what he did wrong. In his mid-40’s, Barrett, although a Yale graduate who had a seemingly bright future before him, has been unable to settle to any one thing. He has lost his apartment and now lives with Tyler and his girlfriend Beth and works as a clerk in a store.

Barrett notices an odd light above him in the sky and feels that it is looking back at him. This experience seems so extraordinary to him that he half fears he imagined it and doesn’t at first tell anyone about it.

At home, Tyler awakes to find the room full of snow because he and Beth left the window open. Tyler, Beth, and Barrett live in an ugly apartment in a shabby neighborhood in New York City. Tyler’s dreams of being a musician have ended with him working as a bartender and being allowed to play a couple of nights a week.

Tyler is trying to write a song for Beth for their wedding. Beth has liver cancer, and she presently is getting no better or worse. Tyler obsesses with the song and with the impending 2004 re-election of George Bush rather than trying to get himself off drugs, as he promised Beth. Now, he has begun lying about the drugs.

For a few months, Beth gets better. Barrett attributes her recovery in some part to his exchange with the light and begins attending church. Tyler, who has been good at taking care of Beth, feels a bit like he has lost his purpose.

Cunningham has written an intimate portrait of the two brothers in his masterly style. He forces us to examine our notions about success and failure and insightfully depicts Tyler’s growing dependence on the drugs. However, the story about the brothers and their friends isn’t really compelling, and the female characters are deficient. Beth is a palely drawn angel, and the only other important female character, Liz, looks too much like her opposite. Other characters seem to be there just to populate the novel. After the stunning The Hours, I found The Snow Queen disappointing.

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The Hours

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Day 539: The Hours

~ whatmeread ~ 10 Comments

Cover for The HoursBest Book of the Week!
One of our Pandora channels repeatedly plays Philip Glass’s music from the movie soundtrack of The Hours. So, as soon as I began reading it, the intricate notes of the score became a mental accompaniment to the novel. That is, I got an ear worm.

I came to the novel with the slight disadvantage of being unfamiliar with Mrs. Dalloway, having been traumatized by To the Lighthouse in a college English class. But you don’t have to be familiar with it to appreciate this lovely, cleverly constructed novel, an homage to Woolf’s own.

The novel begins with Virginia Woolf’s suicide. But later it returns to 20 years before, when she is writing Mrs. Dalloway.

First, though, we meet a middle-aged woman, Clarissa Vaughn, whose best friend calls her Mrs. Dalloway. Like her namesake, Clarissa is eagerly going out into a crisp, clear morning to buy flowers for her party. This is New York, though, in the late 1990’s, and Clarissa’s party is for her dearest friend Richard, a poet who is dying of AIDS. He has recently been chosen to receive a prestigious prize for poetry, and the ceremony is that night.

Back in 1920’s Richmond, England, Virginia Woolf is trying to decide the plot of Mrs. Dalloway. Someone will die, she thinks, but will it be Mrs. Dalloway herself? Woolf also copes with her own fears about her mental state, her yearning to return to living in London, and a visit from her sister Vanessa Bell.

In 1950’s Los Angeles, Laura Brown struggles with being a suburban housewife and mother. Although she loves her husband and small son, she feels unsuited to this life.

Cunningham presents us with three stories, and a theme of threes recurs. Woolf has bouts of mental illness, Richard suffers from dementia caused by his illness, and Laura is struggling with depression. The jellyfish shapes and voices of Woolf’s migraine visions appear in Richard’s episodes of dementia. And Laura briefly sees a grayish jellyfish cloud floating over her son’s head. A forbidden kiss and the color mustard feature in more than one story. And other links that I will not name are more intrinsic to the plot. The three stories are so cleverly interwoven, we’re not sure if the events of one cause the events of the other.

This is a novel of astonishing beauty, cleverly constructed and entertaining. I’m going to find a copy of Mrs. Dalloway.