Day 62: Interred with Their Bones

Cover for Interred with their BonesInterred with Their Bones by Jennifer Lee Carrell is excellent fun, the first of a literary mystery series. Kate Stanley is directing a production of Hamlet at the Globe when her estranged mentor, Rosalind Howard, a Harvard professor of Shakepeare, gives her a small box and hints that she has made an important discovery. Later that night after a fire at the Globe, Kate finds Roz dead in her office. The box turns out to contain a Victorian mourning brooch decorated with flowers associated with Ophelia.

Kate teams up with her friend, the renowned actor Sir Henry Lee, determined to solve the mystery of Roz’s discovery. She begins to believe that she is searching for the manuscript of a play called Cardenno that was produced in 1613 and that may be the same as a play with a similar name registered in 1653 but never published by William Shakespeare and John Beaumont. In her pursuit of the truth, she keeps running into Ben Pearl, a security expert, and another man who says he is related to Rosalind.

The book is a cross between traditional mystery and thriller with an admittedly ridiculous plot. Kate travels from London to Harvard to Utah and then to Spain and Washington, D.C., running down clues in a sort of parody of The Da Vinci Code. Lots of bodies pile up, and we hear about most of the crackpot theories about Shakespeare that have been vaunted over the years. The story is full of literary allusions, action-packed, witty, and fun to read. I guessed part of the mystery as soon as one character appeared, but I was too interested in the plot and characters for that to be disappointing.

Day 61: The Game of Kings

Cover for Game of KingsBest Book of Week 13!

If you love an authentic, well-researched, exciting historical novel that makes you almost feel like you are in the period, then I can’t recommend a better author than Dorothy Dunnett.  I have been trying to get people to read her for years with the caveat that her books are challenging, not for the reader of light romantic history.

Lady Dunnett is described on her Wikipedia page as a “leading light in the Scottish arts world and a renaissance woman.” Her books are loaded with detail about medieval customs, dress, politics, religion, food, and literature, and have labyrinthine plots full of action. She is most renowned for two series, the Lymond Chronicles, written in the 1960’s and 70’s and set in 16th Century Europe and Africa, and the House of Niccolò, written in the 1980’s and 90’s and set in 15th Century Europe, Asia, and Africa. Dunnett died shortly after finishing the last book in this series.

Game of Kings is the first book in my favorite series, the Lymond Chronicles. Francis Crawford of Lymond makes a rollicking and disruptive re-entrance into his home country of Scotland despite the charge of treason hanging over his head. He forms a band of outlaws and begins roaming around the countryside, sneaking across the border to play tricks on the British and harassing his own family. For quite some time, you don’t know whether he is a hero or a villain. He never explains himself, so it is left up to the reader (and the other characters) to figure out his motives for sometimes seemingly wrongful acts. His enemies think he is responsible for the explosion that killed his sister and is trying to murder his older brother Richard so he can inherit the estate. His friends are absolutely devoted to him but suffer doubts when he misbehaves, as he often does. His brother doesn’t know what to think, and his mother, Sybilla, is silent.

Francis is a mimic and a rogue, a musician and a polyglot, a poet and a swordsman, as swashbuckling a character as you will ever meet with in a novel. In among the action of cattle raids, impersonations, intrigues, duels, and archery contests, you actually learn a lot about Scottish history and politics.

Game of Kings is Dunnett’s first book, and my only criticism of it is that Lymond is a bit too fond of quoting poetry in antique languages. Most of it is incomprehensible unless you are a medieval scholar, but skipping over it does not hurt your understanding of the novel. Dunnett does this much less in the other books in the series. If you read this book and continue with the series, by the second book you won’t be able to stop.

Day 60: Mind’s Eye

Cover for Mind's EyeMind’s Eye is the first of the Inspector Van Veteren series by Swedish mystery writer Håkan Nesser, although it is the third published in English. Mostly a police procedural, the book also is somewhat of a psychological thriller.

A woman is drowned in her bath tub and her husband, Janek Mitter, is on trial for her murder, but Inspector Van Veteren is not quite sure the police got it right. Mitter, whose only alibi is that he was asleep and who cannot remember what happened that night, is found guilty and incarcerated in a mental hospital.

One night when Mitter is not given his drugs, he remembers someone in his house the night of the murder and trieds to call Van Veteren. He also sends a note to that person. That night he is murdered. Now Van Veteren thinks the police need to start over by examining the woman’s past.

The book was interesting enough, and I am ready to read more about Van Veteren. I was able to guess the solution–although not the exact identity of the murderer–well before the end, but the book kept my attention.

Day 59: The Tiger’s Wife

Cover for The Tiger's WifeIn The Tiger’s Wife, Téa Obreht has written an involving novel about the power of myth, memory, and story-telling. In the aftermath of the Balkan war, Natalia Stefanovic travels to the “other side” to help vaccinate children. While she is there, her grandmother calls to tell her that her beloved grandfather has died after telling his family he is going to visit her. When she learns his belongings were left in the clinic of a nearby village, she goes to fetch them, particularly his copy of The Jungle Book, which he has carried since he was a boy.

In remembering her grandfather, Natalia relates two stories that she says contain everything necessary to understand his life, one that he told her and one that he didn’t, that she learned about by traveling to the village where he grew up. The story he told her is about the deathless man, a man he has met time after time who claims he cannot die. The other story is about the tiger’s wife, an abused woman who befriends a tiger that escaped from the zoo during World War II, when Natalia’s grandfather was a boy.

Although I sometimes am unable to suspend my disbelief for magical realism, that is, the technique of mixing realistic story-telling with the magical or supernatural, Obreht skirts it without falling into it. Her book is a meditation on life and death, told in an almost  a dreamy way but also in a style reminiscent of a folk tale or myth. The book is also about how people deal with the past by transforming history into myth. The realistic story is interleaved with the two tales.

Although one of the themes is the separation between the groups of people in the Balkans, it is also about their similarities. In a village where Natalia has gone to give vaccinations, she encounters the same types of stories and superstitious beliefs as reflected in her grandfather’s stories about his youth and her grandmother’s injunctions about how to treat her grandfather’s death and possessions.

The book is stunning–a meditation and tribute to the author’s own grandfather, who died before she wrote it, and memories of the country in which she was born.

Day 58: Grave Goods

Cover for Grave GoodsBest Book of Week 12!

In the year 1154 a dying monk sees what he thinks is a vision of the burial of King Arthur after an earthquake at Glastonbury Abbey. He tells his nephew about it as he dies. Twenty years later when King Henry II is putting down a Welsh rebellion, the nephew, a Welsh bard, tells him the story hoping to save his own life. Henry sends a message to Glastonbury, which has just suffered a great fire, and the monks find a coffin buried in the described location that seems to contain the corpses of a man and a woman.

The penurious Henry would love to announce that they had found the bodies of Arthur and Guinever, because the resulting monies from pilgrimages would save him having to pay to rebuild the abbey. But how can he be sure someone won’t come to claim the bones belonging to his Uncle Tom and Aunt Gladys? By summoning his “mistress in the art of death,” Adelia Aguilar, he hopes to determine at least their antiquity.

Grave Goods is a novel in Ariana Franklin’s Mistress of the Art of Death series. Adelia Aguilar is a graduate of the School of Medicine in Salerno, at the time the only such facility that would accept women, and an expert on the causes of death. She arrived in England on a previous matter, but Henry has found her so valuable that he has never granted her a passport to leave the country. Since she is a woman, her word is not respected by most men, so she pretends she is a translator for her Arab servant Mansur, who pretends to be the doctor.

Henry’s soldiers find Adelia and take her away as she is travelling with her friend Lady Emma Wolvercote to Wells to claim Emma’s son’s property from his grandmother. But when she arrives in Glastonbury after meeting with Henry in Wales, Emma has disappeared. The monks give Adelia’s party an unfriendly greeting, and while she and Mansur are looking in a crypt to find samples to compare with the corpses, someone tries to bury them alive. Something is not right at the abbey, and Adelia is not best pleased to be saved by Rawley, the Bishop of St. Albans, her ex-lover.

I have been reading this series for awhile. At first, I wasn’t sure I bought the premise, but the books are rich with historical details and the forensics information available at the time, and Ariana is a likeable heroine. It’s not her or Rawley’s fault that he was made a bishop (he was a soldier when she met him), and the blending of romance and mystery works fairly well here, which is unusual. The romance is played down in favor of action and suspense. If you like a good historical mystery, you’ll probably enjoy these books.

Day 57: A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx

Cover for A Jury of Her PeersIn A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx, Elaine Showalter has compiled an astonishingly complete literary history of the work of American women, beginning in the early 17th Century and covering through the 20th. She has written this book, she explains, because literature by American women has been consistently ignored or omitted from criticism, anthologies, and scholarly works. She points out that even novels and poetry that were very popular and widely read in their own times sank like a stone into oblivion afterwards because the works were left out of volumes of literary analysis and anthologies and not taught in literature classes. Her work is an attempt to bring attention back to many of these writers.

Showalter starts with the metaphor of a jury of her peers from a play of the same name by Susan Glaspell, written in the 1970’s. In the play, a woman has murdered her husband. While the sheriff and his male helpers loudly make jokes and judgments about the crime, their wives quietly observe the evidence that the woman has been abused. Showalter’s message is that women writers deserve judgment by their own peers–whom she defines as people who will read and think about their work on its own terms and with open minds.

She shows how works that were highly respected during their times were repeatedly trivialized or criticized as dealing with “women’s issues.” She also shows how consistently through history women have been unable to devote time to writing because of their household responsibilities or have been attacked for not devoting most of their time to those responsibilities.

Showalter’s task was monumental. She has written a short biography, career history, and description of the work of literally every serious American woman writer–and some not so serious–putting the work in context of events and themes of the times. She has even briefly covered the works of many genre writers.

Written in a readable and interesting manner, the book made me wish I had time to read it along with my Norton Anthology of Literature by Women (if I could find the works there–I know some of them are). It also made me painfully aware, avid reader though I am, of how few of these writers I have read.

As a side note of interest, the Amazon.com page for this book includes Showalter’s list of her top ten books by American women writers that you probably haven’t read. We used this list one time for one of the meetings of my book club, each person picking the one he or she wanted to read. I can personally recommend The Country of Lost Borders, a collection of stories by Mary Hunter Austin from her life in the California desert east of the Sierras, and for an entirely different experience, We Have Always Lived in a Castle by Shirley Jackson, a chilling gothic novel.

Day 56: The Redbreast

cover for RedbreastThe Redbreast by Norwegian mystery writer Jo Nesbø starts out with Detective Harry Hole embarrasing his government by shooting an unidentified secret service officer during the American president’s visit. Naturally, he is “promoted” to a political office and assigned to investigate neo-Nazi activities in Norway.

He begins tracking Sverre Olsen, a neo-Nazi who recently escaped prosecution on a technicality. But that investigation is derailed when he comes upon evidence that someone has purchased an extremely powerful, rare rifle and may be planning an assassination attempt. At the same time, someone is killing old men who fought on the Eastern Front for the Germans in World War II, believing that they would prevent their country from being annexed by the Soviet Union.

In her attempts to help Harry with the investigation of who bought the gun, his ex-partner Ellen is murdered.

The novel was interesting and complex, with the story from WWII interleaved with that of Harry’s investigation. However, I didn’t find Harry very developed as a character. This lack of character development may be because this is the seventh Harry Hole book, but I believe that series books must find a way to balance the demands of new readers without being too repetitive for readers following the series. One way is to make sure that the main characters always seem like real people. That said, I may try reading some others to see if I get to like Nesbø’s work more.

Day 55: Guest Blog! The Hunger Games

Cover for The Hunger GamesFolks, we have something different today. After several people asked me if I had read The Hunger Games, I invited the last person who asked to write a guest blog about it. My friend Aaron has just submitted a brief review. By the way, I did actually read the book, finally.

So, here is Aaron.

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Although I was initially hesitant to read Suzanne Collins’s The Hunger Games because of its theme of teenagers killing teenagers, I was surprised to find it so engaging. Fortunately, the graphic descriptions of violence are kept to a minimum. (The novel is written for young adults, after all.)

The Hunger Games is set in the future, when a repressive government forces each of its twelve member districts to send two young adults to compete in a deadly game of survival by attrition. The winner is awarded food, a new home, and fame for being the sole survivor.

While reading Collins’s novel, I was reminded of Shirley Jackson’s short story “The Lottery,” Stephen King’s book The Running Man, and J. K. Rowling’s Harry Potter series. Those are all stories worth a second read.

The Hunger Games was difficult to put down once I started. Luckily, the story continues in two more novels. May you find the story as engaging as I did. To quote Effie Trinket, “Happy Hunger Games!”

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Me again with just a little more explication of the plot. The main character is 16-year-old Katniss, who lives in the poorest of the twelve districts and has been helping support her family since her father died. When her younger sister, Prim, is picked for the games, she volunteers to go in her place. Not only must she battle the other contestants, but she must try for the viewer sympathies to get necessary supplies from “sponsors” throughout the games.

I also wanted to point out that in my opinion, the story is a sort of perverse but  logical extension of some of the “reality shows” we have on TV now. And my husband mentioned that the book reminded him of the 70’s sci-fi film Logan’s Run.

Day 54: Started Early, Took My Dog

Cover for Started EarlyKate Atkinson’s mysteries featuring Jackson Brodie are always complex and carefully plotted. The somewhat hapless Brodie is a “semi-retired” private investigator who usually works in Edinburgh, but Started Early, Took My Dog takes him back to his home town of Leeds in Yorkshire.

Jackson Brodie is trying to locate the family of Hope McMasters, a woman who was adopted in the 1970’s at the age of two. In doing so, he has stumbled upon the story of an old crime–a prostitute was murdered and the child found with her disappeared.

Tracy Waterhouse, a retired detective who works as a security guard at a mall, was originally on that case and always worried about the child. On impulse, Tracy purchases another abused child from a junkie prostitute. When Jackson tries to find her to ask her about the old crime, she thinks he is after her for kidnapping and flees.

Two separate groups of people appear to be chasing Tracy–or maybe Jackson. And what does Tracy’s friend Barry know about the crime? And how is Tillie Squires, an old actress who is going senile, involved in everything? And then there’s the dog.

Atkinson’s mysteries are edgy and well written, as well as humorous. She spends more time on characterization than the usual mystery novel, creating interesting individuals. The novel changes between viewpoint and time to tell the complex, interweaved stories about identity.

Day 53: The House of Mitford

Cover for House of MitfordMany of you may be familiar with the famous Mitford sisters from Nancy Mitford’s wonderful books The Pursuit of Love and Love in a Cold Climate, thinly veiled novels about her own eccentric family. Last year, after reading several books by Nancy Mitford and wondering about the kind of family that could have produced such extreme offspring as Nancy the social satirist, Decca the devoted communist, Diana the fascist and wife of Oswald Mosley, and Unity the fanatical worshipper of Hitler, I struggled to find an unbiased book about the Mitfords. I thought I had found one when I located The House of Mitford, which was written up as the “authoritative Mitford biography.” It wasn’t until I was halfway through that I realized the authors, Jonathan and Catherine Guinness, were Diana Mitford’s son and granddaughter. In fact, any books I could locate about the Mitfords were written by the Mitfords, a prolific family indeed.

The book is certainly interesting and often amusing, and it provides a lot of insight into the 1930’s, an especially turbulent time in Great Britain, but it has its faults.

Although the authors deplore both the extreme leftist and rightist views of the family and point out how all believed what they wanted to believe, the book shows certain biases and likes. It is much harder on Decca’s communist sympathies than on Mosley’s Naziism, for example. We are invited to admire Mosley’s ideals and prescience, and yet the book almost ignores the fact that he tolerated his followers’ rabid anti-Semitism.

On the other hand, Decca is made out to be a liar in what she writes in her book Hons and Rebels about the family, while other family members are depicted simply as having selective memories. Yet when I read Hons and Rebels after this book, expecting it to depict the family in a cruel and critical manner, I found it to be more the story of teenage rebellion. Decca (Jessica) left the family at 17 and what she remembers is colored by her feelings when she left.

Nancy, seemingly the most harmless of all the famous sisters, is depicted as two-faced. Great efforts are made to deny that Unity was a sort of groupie for Hitler, when she clearly was one. Unity’s most famous act besides the photos of her at Hitler’s rallies in Nuremburg was to shoot herself in the head on the day that England declared war on Germany.

Nevertheless, the book successfully shows that despite all the family disagreements and bickering, underlying it all was strong family affection and unity. The book didn’t do much, however, to answer my initial questions about how an admittedly eccentric but not very political upbringing could produce such extremes of personalities and beliefs in a single generation.