Review 2118: Afterlives

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An interview I heard with Nobel Prize winner Abdulrazak Gurnah made me interested in reading his latest novel, Afterlives. This novel is set in what once was German East Africa, from the early 1900s to the 1950s.

At first, the novel seems rambling, beginning with one character then moving to another, reminding me a bit of Indian writer Amitav Ghosh, but Gurnah eventually returns to the characters he started with. This novel begins with Khalifa. In Gurnah’s fashion, we first hear all about Khalifa’s family and education before getting down to the story of how he goes to work for the merchant Amur Bi-ashara. They become close, and Khalifa marries Amur’s niece, Asha. Asha’s father was ruined before he died, and Amur bought the house they live in, but he promised the house to Asha. However, he dies before giving it to them, and his son, Nassor Bi-ashara, keeps it. Although Khalifa continues to work for Nassor, resentment is there.

The story moves to Ilyas, who arrives in town for work and befriends Khalifa. Ilyas was stolen away from his family as a child, and so after he is settled, he returns to his village to look for his family. His family is gone except for a much younger sister he didn’t know he had, Afujah, who is living with her uncle and being treated like a slave. Ilyas brings Afujah back to town to live with him for a year, but then he decides to join the askaris in the German army, so he takes her back to her uncle. There she is mistreated until she sends a message to Khalifa, who comes and takes her back to town.

We meet Hamza when he is serving as an askari just before and during World War I. This is the story in which the theme of colonialism really gets going. Hamza eventually meets Khalifa, but much else happens first.

Gurnah employs a detached tale-telling style, which I noticed bothered some Goodreads readers, but he is a true storyteller. The ending seemed a bit of an anticlimax but wrapped up all the story threads.

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Review 2117: Smoke and Mirrors

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Best friends Annie Francis and Mark Webster, aged 13, disappear on the way to the candy store. The search for them is disrupted by a snowstorm, so they’re not found for several days, in a shallow ditch with a trail of candy leading to it. DI Edgar Stephens thinks they were meant to be discovered earlier, but the snow prevented it.

The police find that Annie had written plays performed by younger children on a stage at the home of neighbor Brian Baxter. The early plays were innocuous, but by all accounts the latest is darker. Annie has shown an interest in the real German fairy tales with dark plot lines. Her newest play is called The Stolen Children.

Edgar’s friend Max Mephisto is performing in a pantomime in town, and through him, Edgar hears of a similar murder that took place in 1917. It seems an odd coincidence that some of the older pantomime performers were in town at the time. The murderer was caught and is dead, but could there be a connection?

Edgar gets a call from Daphne Young, a teacher who was helping Annie with her play, saying she’s discovered something. But she is also found murdered before he can talk to her.

I don’t seem to be getting as involved with the Brighton series, set in the 1950’s, as I have with Griffith’s Ruth Galloway or Harbinder Kauer books. However, I like the vaudeville theme and am willing to stick with it for a bit.

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Review 2116: The Unseen

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I have to admit to buying The Unseen because of its cover. I’m glad I did, because before I was halfway through, I was ordering the second book in the Barrøy trilogy. Although I’m not reading the shortlist for the Booker International prize, this novel was shortlisted for it.

After reading much of Halldor Laxson’s Independent People under the belief that it was describing Icelandic life in Medieval times, only to find out it was set in the 20th century, I don’t make assumptions about the times in which novels are set anymore. The Unseen describes a similarly primitive existence, with not many hints to its timeframe, but I finally figured out it begins a few years before World War I.

Ingrid’s family lives on Barrøy, one in an archipelago of many small islands in northern Norway. Each island is occupied by one family, and although the islands are in sight of each other, visits are rare, so the family has to be fairly self-sufficient.

Ingrid’s father, Hans, works hard and dreams of a different life for his family. His immediate dream is for a quay to make it easier for boats to land, so that when Uncle Erling arrives with his large fishing boat each January to pick up Hans for the yearly fishing, he can get off the boat. The novel relates the everyday events of the family’s life—the four-month fishing trips, the haying and fish drying in summer, milking cows, moving livestock from one small island to another for grazing, collecting and cleaning down from the eider ducks. And the big events—births, deaths, expansions and contractions of the residents of the islands.

Written in spare, crystalline prose with an occasionally very dry humor, The Unseen is fascinating. I loved this novel. And here I am reading about islands again.

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Review 2115: Summer Lightning

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I intended to read Summer Lightning for the 1929 Club last fall, but it didn’t arrive in time from the library. It is one of the Blandings books, and I have not read many of those.

The country is buzzing at the news that Galahad Threepwood, that old reprobate, is planning to publish his memoirs. Old men up and down the country are terrified of what he might reveal.

At Blandings Castle, where Galahad has repaired to write, both Mr. Ronald Fish, Lord Emsworth’s nephew, and Miss Millicent Threepwood, a niece, are in love, unfortunately not with each other as their daunting aunt, Lady Constance, intends. Millicent has fallen for Hugo Carmody, Lord Emsworth’s secretary, and Ronnie for Sue Brown, a chorus girl.

As usual, Lord Emsworth is besotted with his pig, the Empress of Blandings. Ronnie gets the idea to steal the Empress and hide her away then pretend to find her, thereby winning Lord Emsworth’s regard.

In the meantime, Hugo has to run up to town and takes the opportunity to go dancing with Sue. Unfortunately, he has promised Millicent he will do no such thing. Mr. Pilbeam, an oily detective, has just accepted a job from Hugo to find the Empress (which he only accepted because someone is paying him a lot of money to steal Galahad’s manuscript) when he comes upon Sue waiting at their table for Hugo. He has been calling her and sending her flowers, to which she hasn’t responded, so he sits at her table uninvited. At that moment, jealous Ronnie appears.

As if this isn’t enough silly fun, Sue impersonates a wealthy American so she can visit Blandings and make things up with Ronnie. The novel also features the reappearance of Baxter, Lord Emsworth’s previous secretary, whom Lord Emsworth thinks is batty. And he’s on the tail of the Empress, too.

I enjoyed this book, but I think the Blandings series is missing something compared to Jeeves and Wooster. That something is Bertie’s insouciant, dim-witted yet witty and kind narrative style.

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Review 2114: Lost Hearts in Italy

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I absolutely loved Andrea Lee’s Red Island House—in fact, it was on my Best of the Year list this last year—but I think I would have liked Lost Hearts in Italy better if I hadn’t read the other book first. I make this comment because Lee seems to be rehashing the same story except the Red Island House also dealt with other themes.

In Red Island House, a young, beautiful American mixed race academic is married to an older, uneducated, self-made wealthy Italian businessman, a marriage that seemed to me inexplicable. In Lost Hearts in Italy, a young, beautiful American mixed race journalist meets an older, uneducated, self-made Italian billionaire when she is on her way to join her young, beautiful nice husband who loves her in their new home in Rome. Mira doesn’t even seem attracted to Zenin (she calls him by his last name as the heroine of Red Island House calls her husband), but eventually she begins having an affair with him, one that (this is no spoiler—it’s clear from the beginning) spoils her marriage with Nick. The novel moves backward and forward in time between 1986 and 2005, examining the lasting repercussions of Mira’s actions.

The only difference I can see between Zenin and Senna of Red Island House is that Zenin is tall and Senna is short. Lee is obviously obsessed by this relationship. Although she is an excellent writer, I think Red Island House, with its themes of identity, colonialism and the responsibility of the rich to the poor, has more to offer than just a dissection of this relationship. In Lost Hearts in Italy, Mira is like a moth drawn to a flame except she knows she is doing something against her own nature. My question was, then why did she do it? Zenin is not an attractive character at all. It’s inexplicable.

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Review 2113: The Clockwork Girl

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I liked Mazzola’s The Story Keeper well enough to try another book by her. This one looked interesting.

In 18th century Paris, Madeleine was forced into prostitution at a young age by her mother and so badly scarred by a customer that she now works in the brothel as a maid. She is determined to escape with her nephew, which is one reason she reluctantly agrees to spy for the police on the household of Dr. Reinhart. She is supposed to find out what he is working on, but once installed there, she finds it difficult to learn anything. Something about Reinhart seems off, but he locks up his secrets. However, his interest is in anatomy and he makes elaborate wind-up animals.

A second narrator, Véronique, is Reinhart’s daughter, newly returned from being raised in a convent. Her father has promised to train her in his work, but time passes and he works only with Doctor LeFevre on some project for the King.

Madeleine hears rumors that children are disappearing off the streets and worries about her nephew.

A third narrator is Madame de Pompadour, who is afraid she is losing the King’s affection and worried about what he is up to.

This novel is fast-paced and eventually gets very creepy, but there are some unlikely aspects about it, especially how neatly everything is resolved. Still, it certainly kept my attention.

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Review 2112: The Creak on the Stairs

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Chief Investigating Officer Elma, who has been with the police in Rejkyavik, moves back to her home town of Akranes after an end to a long relationship. Almost as soon as she arrives, there’s an unusual death—a woman’s body is found in the sea by an old lighthouse. Suicide and accident seem ruled out because the body was dragged there from the parking lot.

The body is identified as Elisabet Hölludóttir, a woman who had lived in Akranes as a child but was said to hate it. The investigators have difficulty finding out much about her, and even her husband seems to know little about her past.

The team’s investigation of the present doesn’t seem to be going anywhere, but Elma becomes convinced that the murder has to do with Elisabet’s past. Her boss, Hörþur, doesn’t agree.

I am fairly sure The Creak on the Stairs is Ægisdóttir’s first book, and in some ways it shows. I found Hörþur’s behavior at times unbelievable, for example. Ægisdóttir seems to be trying to depict him as lackadaisical and too close to the community bigwigs, but in a country where murder is so unusual, there’s no way he would tell his staff to hold their progress reports until the next day because he needs to make a phone call or that he would go home early. Also, a woman refuses to go to the town where she was a child and then is found dead there. Of course the murder has to do with her past. It took them too long to get there.

Other than that, I found the novel interesting enough and liked the heroine. A surprise at the end of the novel made me think Elma was getting interested in her partner too soon, though.

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Reading Thirkell’s Barsetshire Series in Order: #21 Happy Returns + #20 The Duke’s Daughter Wrap-Up

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Cover for Happy Returns

Since I know that at least one person who had been reading along was no longer able to find reasonably priced copies of the books, I got a lot more comments on the last book than I expected. I hope that happy situation continues. Anyway, my thanks to the following people who participated in discussing The Duke’s Daughter:

  • Liz Dexter
  • Penelope Gough

The next book is Happy Returns, which I read all the way back in 2015 and don’t remember at all (except that someone is running for parliament). It’ll be interesting to me to see whether I view that book differently now that I am more familiar with the characters. I will be reviewing that book on Tuesday, February 28! Hope you will join me.

And here’s our little emblem.

Review 2111: #ThirkellBar! The Duke’s Daughter

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This entry in the Barsetshire series opens with characters’ realization that Lucy Adams is carrying a child, but then it jumps forward. Around about the same time, Tom Grantly meets the dreadful Geoffrey Harvey and begins to have doubts about his farm work. He has been happy working on Martin Leslie’s farm with Emmy Graham, but he doesn’t think there’s a career in it. So, he takes a job working for Harvey in the Red Tape and Sealing Wax Department. However, Harvey is known for making his underlings’ lives miserable, and within a year, Tom is ready to quit but doesn’t know how to explain to his father that he wants to change his career yet again.

Commander Cecil Waring has returned to the Priory to take up residence in his part of the house after taking in some shrapnel that the Navy doctors couldn’t find. It is floating around in his body and will either emerge or kill him. In the other part of the house, Philip White and his wife Leslie, Cecil’s sister, are having such success with their prep school that they are looking around for a bigger building.

Cecil meets Lady Cora Palliser, the Duke of Omnium’s daughter, and is much struck by her. However, he thinks she’s paying too much attention to Tom.

The new Lord Lufton makes everyone’s acquaintance. He is young, shy, and overwhelmed by his new responsibilities. He is also very kind and is at first attracted by Clarissa Graham until he sees her behaving rudely to Charles Belton.

Fans of the series may be pleased to find that this novel features the reappearance of almost every character who has ever appeared, with the added attraction of no less than four betrothals. Mrs. Morland, the author of a popular series of novels, always says they are all alike. Perhaps the Barsetshire novels are, too, but their charm is in finding out what happens to characters we know and in meeting new ones.

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