Tag: England

Review 1781: Good Evening, Mrs. Craven: The Wartime Stories of Mollie Panter-Downes

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A woman feels as if some evacuees have taken over her home. The Red Cross sewing party is enlivened by arguments between the good-natured Mrs. Peters and the bloodthirsty Mrs. Twistle. A woman bravely faces her husband’s deployment and then is devastated to find he hasn’t left yet and she has to face it all over again. A couple finally gets rid of their evacuees only to have an acquaintance ask for room in their house. A man who has been working in a ministry feels guilty about not joining up.

These are a few of the stories about ordinary people during World War II that Mollie Panter-Downes published in the New Yorker. They are slice-of-life stories, although most of them have an upper-class perspective, of changing social conditions, of changes in everyday life, of people keeping a stiff upper lip.

I was surprised to learn from the Afterword that Panter-Downes, a prolific British journalist, short story writer, and novelist, was much better known in the United States than in Britain because she published almost everything in the New Yorker. So, even though she wrote hundreds of short stories, her legacy was almost lost in her native country.

Ordered by when they were written, this collection provides an insightful look, beautifully written, at the lives of ordinary people during the war.

One Fine Day

My Husband Simon

To Bed with Grand Music

Review 1777: In the Eye of the Sun

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Best of Ten!

Recently, I remembered liking Ahdaf Soueif’s The Map of Love, so I decided to see if she had written anything else. What I turned up was In the Eye of the Sun, which her Wikipedia page confusingly calls her debut novel, even though she wrote one earlier.

In the Eye of the Sun is the story of the maturing of a young Egyptian woman, told over a period of 13 years. The daughter of two university professors, Asya wants to get a Ph.D. in English literature and teach at Cairo University. The novel looks back to 1979 when she is studying for her General Certificate of Secondary Education before beginning at the university and follows her until shortly after she finishes her Ph.D.

Although the novel deals with many subjects—cultural collision, Near Eastern politics, family, sexuality among them—it primarily concerns Asya’s relationship with Saif, who eventually becomes her husband. Asya meets Saif early in her university career and falls madly in love with him. The two want to marry, but her parents insist that they wait until she graduates. They don’t even allow them to become engaged for a couple of years.

At first, their relationship is intense, even though it does not involve intercourse because Saif wants to wait. However, Asya feels him pulling away from her as soon as they are engaged. She has caught him in a few pointless lies, but she doesn’t challenge him with them. However, he stops wanting to discuss anything of substance. Asya does not attempt any kind of discussion of these issues, though, before they are married. Nor does she discuss them with anyone else.

At their marriage, things become even more complicated, because Asya finds sex so painful that after a few attempts Saif stops trying. They never fully consummate their marriage. Even when Asya begs him to try, Saif seems more content to treat her as a sort of doll, picking out clothes and buying jewelry for her. Their marriage becomes even more difficult when he takes a job in Syria while she goes to attend a university in Northern England. There, she finds the surroundings cold and uncongenial and her studies in linguistics difficult.

This novel is quite long, but it is involving and extremely honest. Although a primarily sympathetic character, Asya can be quite annoying in her personal contradictions, for she doggedly continues intellectual disagreements while seldom broaching personal issues. She is brilliant while being occasionally terribly neurotic. I strongly felt that this was an autobiographical novel. If so, Soueif’s honesty is extraordinary.

The Map of Love

The Wife

Under the Lemon Trees

Review 1775: My Lover’s Lover

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At the beginning of My Lover’s Lover, I thought O’Farrell was writing an updated version of Rebecca, and indeed she references the movie early in the book. However, if she had that in mind at all, she moves away from it.

Lily meets Marcus at a party and feels an attraction to him. When he mentions that he needs a flat mate, she asks if she can take the room. However, when she goes to see it, she is surprised to find it still full of another woman’s possessions. She takes the room in the renovated Victorian warehouse with Marcus and his friend Aidan, but she becomes obsessed with Marcus’s old lover, Sinead. Although he refuses to talk about Sinead, Lily understands him to have told her Sinead is dead. Once Lily and Marcus become lovers, Sinead begins haunting her, appearing in the flat.

But Sinead isn’t dead. Once Lily finds that out, she goes to see her to ask her what happened. Then the story is told of the beginning and the end of their relationship.

This is another beautifully written, insightful tale by O’Farrell. Sadly, I think I have now read all her books. I’m going to have to wait for the next one to come out.

After You’d Gone

The Distance Between Us

This Must Be the Place

Review 1774: The Silent Companions

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In the mid-1800’s, a badly burned Elsie Bainbridge is confined to an asylum. She is said to be dangerous. She cannot speak and has not been able to tell what happened to her. Her doctor suggests that writing her version may save her from being executed.

In 1635, Josiah and Anne Bainbridge excitedly begin preparing for the arrival at their home, The Bridge, of King Charles and Queen Henrietta Maria. Josiah decides, however, that their daughter Hetta will not participate in the festivities. Hetta was born with a deformed tongue, and Anne blames herself, because she took herbs to conceive when her doctors said she could not.

Elsie’s written account begins when she arrives at The Bridge to live there after her husband’s unexpected death. She finds the house decrepit and the people in the neighborhood unwelcoming. Then she and her companion, Sarah, find the silent companions, some wooden cut-out figures that appear lifelike.

This novel seemed as if it was going to be a good old creep fest. It was certainly a ghost story, but I prefer something—I was going to say that could actually happen, but that’s silly. I guess I prefer something more subtle without freakish gory events.

As far as the approach taken to the material is concerned, although all the chapters except the ones set in the asylum are supposed to be written, the later ones as Elsie’s account and the earlier as a diary, neither of them are convincing as such.

Although I make a final caveat that I don’t believe the doctor’s treatment reflects psychiatric treatment of the times, I am not saying I disliked this novel. I thought both stories were compelling, but not so much so that I didn’t think of these things while I was reading it.

The Poison Thread

This House Is Haunted

The Séance

Review 1773: A Civil Contract

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Remembering back quite a few years to the last time I read A Civil Contract, I didn’t classify it as a favorite Heyer. As I was younger then and more romantic, I was disappointed in its plain and prosaic heroine. Now that I am more mature, I look at it with completely different eyes.

Adam Deveril is a dashing captain who has been serving in the Peninsular wars when he is abruptly called home because his father unexpectedly died. This death makes Adam Lord Lynton and leaves him heir to a huge amount of debt. Although the family has never been wealthy, Adam has had no idea just how his father’s spending habits and mismanagement have put the estate into debt.

Adam thinks there is no solution but to put his townhouse and the family estate on the market. Being a proud man, he ignores his businessman’s recommendation to look for a wealthy bride.

Adam also feels obliged to inform Lord Oversly of the state of affairs, since Adam had been hoping to wed his beautiful daughter, Julia. Oversly acknowledges that Adam can no longer be considered eligible to marry Julia but remarks that he and Julia probably aren’t well suited anyway. However, both Adam and Julia are heart-broken.

Oversly says he thinks he can help Adam. Soon, Adam is surprised to receive a visit from Jonathan Chawleigh, a wealthy but vulgar businessman. Chawleigh suggests that Adam’s financial problems can be solved if only he would marry Chawleigh’s daughter Jenny.

Adam’s pride does not permit him to consider this offer, but he agrees to meet Jenny. He finds her plain, plump, and matter-of-fact as well as poorly dressed. He does not even realize he has met her before, for she is a schoolfriend of Julia’s. Almost against his will, he marries her.

Maybe I’m giving away too much, but this is the story of how a young man learns to throw away his romantic illusions and begin to appreciate his thoughtful, supportive, affectionate wife. Thus, its intent is a little more serious than most of Heyer’s novels, and it also has a great deal to say, off and on, about the state of Europe at the time.

I had to laugh, because this time through I found myself impatient with Adam and Julia’s romantic yearnings and appreciated Jenny’s good qualities and hidden heartache a good deal more. The book is also not lacking in Heyer’s usual amusing dialogue, although most of it is between other characters than the two main ones.

The Convenient Marriage

Cotillion

Friday’s Child

Review 1771: Umbrella

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Some of the reviews of Umbrella refer to modernism, as in “a magnificent celebration of modernist prose.” This kind of encomium shivers me timbers. And then I think, isn’t modernism over? Aren’t we into postmodernism now? Apparently not.

Umbrella has a plot, but don’t expect the book to leap into action, because it’s more concerned with its devices. Self uses few paragraphs, and the ones he inserts aren’t necessarily making the expected division, some of them positioned in the middle of a sentence. Self uses three points of view, but they shift without warning, sometimes in the middle of a word. Stream of consciousness is used abundantly and confusingly, and Self loves his allusions, most of which I did not get. What Self isn’t very concerned with is being easy on his readers.

The novel is inspired by Oliver Sach’s Awakenings. In 1971, psychiatrist Zack Busner realizes he has a group of patients who are post-encephalitic, and they are stuck repeating activities that are meaningful to them but at such fast or slow speeds that they are difficult to detect. He gets permission to administer L-DOPA to them, and they unfreeze, or wake up. Among them is Audrey Death, the oldest patient in the mental hospital.

Aside from following Dr. Busner as a young psychiatrist, we also follow him as an old man. We see from Audrey’s point of view as a girl and a young woman and from her young brother Stanley’s during World War I.

Sometimes the narrative gets carried away into ridiculous flights that last for pages, such as the one involving Stanley falling into a subterranean existence. I didn’t know what to make of it. Although critics have foamed at the mouth in admiration of this novel’s style, I’d call it self-indulgent. I had to make two attempts before I finally managed to read this novel.

This is one of the books I read for my Booker prize project.

Ducks, Newburyport

There but for the

As I Lay Dying

Review 1770: The Stone Circle

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Forensic archaeologist Ruth Galloway is called back out to the wooden circles on the Norfolk coast because bones have been discovered there, along with a hagstone. Ruth thinks they are quite likely those of Margaret Lacey, who went missing at the age of 12 in 1981. And so they prove to be. Ruth is also sure the bones have been moved recently from a more loamy soil.

Ruth has received a letter similar to the ones that arrived during her first case set near the stone circle. So has DCI Nelson, Ruth’s occasional lover and the father of her daughter Kate. Nelson had decided to leave his wife Michelle for Ruth when Michelle announced that she was pregnant. Nelson’s son Charlie has just been born.

One of the suspects in Margaret’s disappearance had been John Mostyn, but his crippled mother gave him an alibi. Now John lives by himself, a hoarder and a collector of stones, but Margaret’s family think he is harmless. Soon, though, he is found murdered.

The Stone Circle is another excellent mystery by Elly Griffiths. I am even more interested in Ruth’s private life, and the mystery itself is a good one.

The Dark Angel

The Chalk Pit

The Woman in Blue

Review 1769: The Man from St. Petersburg

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Back in the days when Ken Follett and John Le Carré were the major names in the espionage genre, I used to read both and sometimes confuse them. However, at some point I realized that, of the two, Le Carré is really the master of the genre and the better writer, so I stopped reading Follett. When Pillars of the Earth came out, I read that and decided that historical fiction was not Follett’s genre (I know many would disagree), so I stopped reading him altogether. This is a long way of staying that I picked up The Man from St. Petersburg by mistake.

The premise is intriguing. It’s 1909, and Winston Churchill wants to avoid a war with Germany by making a pact with Russia. The czar wants Prince Aleksey Andreyevich Orlov to handle the negotiations, so Churchill wants Lord Walden, whose wife Lydia is Orlov’s aunt, to handle the British side. Back in Russia, the anarchists want a revolution, which they believe would be kicked off by a war, so they want the negotiations stopped. One of the anarchists, Feliks, must kill Orlov, and he goes to England to do so.

I thought that sounded interesting, but not too far in I felt like Follett was just putting his characters through their paces, making them do what he needed them to do. The diplomatic conversations lacked the subtlety they actually would have had. They just seemed crude and too direct. Finally, a major plot point that was supposed to be a surprise on about page 80 was too loudly telegraphed on page 10. I stopped reading about one third of the way into the book.

Code to Zero

Munich

The Revolution of Marina M.

Review 1768: Venetia

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I didn’t remember Venetia as being one of my favorite Georgette Heyer books, but actually I liked it very much. It features a sparkling heroine.

Venetia Lanyon has lived almost secluded in the Yorkshire countryside. When her mother died, her father became a recluse and refused permission when the time came for Venetia to be brought out by her aunt. Now 25, since her father’s death she has been taking care of her brother’s estate until he returns from the wars, at which time she plans to take a house with her younger brother, Aubrey. Although she has two suitors, she cares for neither of them and believes she will need to be there for Aubrey, who has a bad hip and does not relish meeting people.

The Lanyons’ neighbor, Lord Damerel, is seldom home and has such a bad reputation that when they were children Venetia and her brothers called him the Wicked Baron. Venetia is out picking berries one day when she meets Damerel. He at first mistakes her for a village girl and kisses her. However, he soon finds his mistake and doesn’t know what to make of her reaction. Fairly quickly, they find themselves friends.

Of course, this will never do, think her friends and relations, and we’re off for another funny romp with Heyer.

Black Sheep

Regency Buck

Frederica

Review 1757: To Bed with Grand Music

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To Bed with Grand Music opens with Deborah Robertson in bed with her husband Graham swearing perfect fidelity before his deployment to Cairo during World War II. Graham more honestly doesn’t promise that but says he won’t sleep with anyone that matters. At first, Deborah contents herself at home, but when, in her boredom, she begins snapping at her little son, Timmy, her mother suggests she get a job.

Her mother is thinking about a job nearby in Winchester, but Deborah makes arrangements to visit a friend in London, Madeleine, and see about a job there. Intending to go home on the evening train, she ends up getting drunk and spending the night with a man.

Shocked at herself, Deborah is determined to stay home, but she has a talent for convincing herself that what she wants to do is right, so it’s not too long before she turns down a job in Winchester only to take a lower-paying one in London. From there, she begins a career of connecting with men of increasingly higher rank.

Deborah is definitely an antihero. She starts out selfish and nervous and becomes deceitful, amoral, and avaricious as she goes on. Her faint motherly instincts become almost nonexistent. This is an insightful, sardonic character study of a particular type of woman.

The Victorian Chaise-Longue

A Fugue in Time

Vanity Fair